Stephanie Lai Stephanie Lai i(A145138 works by)
Gender: Female
Heritage: Chinese
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Works By

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1 y separately published work icon The Art of Being Human Tehani Croft (editor), Stephanie Lai (editor), Kings Meadows : FableCroft Publishing , 2022 25907664 2022 anthology short story

'In 2020, the world was tipped upside down and shaken in ways we could barely have imagined, except perhaps in the post-apocalyptic and dystopic worlds of story. Amidst pandemic illness and death, political machinations and despair, one of the casualties has been, at least in a financial sense, the Arts. Governments across the world have slashed funding, galleries, theatres and entertainment venues have closed amid lockdown restrictions, money is being carefully metered with jobs more uncertain than ever, meaning our creatives across all industries are suffering. And yet, more than ever, we are turning to art to stay sane in lockdown, to keep our spirits up in isolation, and to remind us that despite the hardship, there is beauty in this world.

'This anthology seeks to remind readers of the hope and beauty of the Arts, and the way our engagement with writing, music, film, theatre, artworks in all media, and craft of all kinds are at the core of our humanity.

'If the time since COVID began to dominate our global society has taught us anything, it is that connection is crucial to our wellbeing. These stories speak to hope, connection, community, and yes, ART, and how important these threads are to the very centre of ourselves.'

Source: Publisher's blurb.

1 Steven James Finch Stephanie Lai (interviewer), 2019 single work interview
— Appears in: Liminal , November 2019;
'Stephanie Lai interviewed Steven at Perth City Library, on Whadjuk Nyoongar Boodja, about being a settler migrant, colonialism, and intent.'
1 The Goose Hair of One Thousand Miles Stephanie Lai , 2018 single work short story science fiction
— Appears in: Mother of Invention 2018; (p. 47-58)
1 The Grand Tour Home Stephanie Lai , 2017 single work prose
— Appears in: Pencilled In , no. 2 2017; (p. 4-8)
1 The Fall of the Jade Sword Stephanie Lai , 2017 single work short story
— Appears in: Behind the Mask : An Anthology of Heroic Proportions 2017;

Described on the author's website as 'a wuxia superhero adventure set in Melbourne’s Chinatown in the early 20th century'. Lai also suggests that the story 'is a spiritual ancestor to The Dàn Dàn Miàn of the Apocalypse'.

Source: Author's website (https://stephanielai.net/category/short-fiction/). (Sighted: 22/5/2018)

1 Cherries in Winter, Rivers in Spring Stephanie Lai , 2016 single work short story
— Appears in: In Your Face 2016; (p. 219-234)
1 A Short History of the Dangers of Travel Writing Stephanie Lai , 2016 single work essay
— Appears in: Overland [Online] , October 2016;
1 The Dàn Dàn Miàn of the Apocalypse Stephanie Lai , 2015 single work short story
— Appears in: Review of Australian Fiction , vol. 14 no. 4 2015;
1 The Dragon, The Terror, The Sea Stephanie Lai , 2015 single work short story
— Appears in: Cranky Ladies of History 2015; (p. 87-96)
1 Form B : For Circumstances Not Covered in Previous Sections Stephanie Lai , 2014 single work short story science fiction
— Appears in: Fierce Families 2014; (p. 51-62)
1 Not Even Sea Turtles (Can a Chinese-Australian in China Ever Truly be Chinese Enough?) Stephanie Lai , 2013 single work essay
— Appears in: Peril : Asian-Australian Arts and Culture , no. 16-17 2013;
1 Secret Asian Papercuts (Being Chinese-Australian Means Being Too Chinese) Stephanie Lai , 2013 single work short story
— Appears in: Peril : Asian-Australian Arts and Culture , no. 16-17 2013;
1 Care and Feeding : Comfort Food for Chinese-Australian Vegans Stephanie Lai , 2011 single work prose
— Appears in: Peril : An Asian-Australian Journal , September no. 11 2011;
1 One Last Interruption Before We Begin Stephanie Lai , 2011 single work short story fantasy science fiction
— Appears in: Steampowered 2 : More Lesbian Steampunk Stories 2011; (p. 208-225)

Described by its author as 'A look at colonialism, the logistics of steampunk in South East Asia, and love when one of you believes you are inherently superior.'

Source:

Author's blog (https://stephanielai.net/2014/03/30/one-last-interruption-before-we-begin). (Sighted: 13/01/2017)

1 The Last Rickshaw Stephanie Lai , 2010 single work short story fantasy
— Appears in: Crossed Genres : Year Two 2010; (p. 138-) Crossed Genres Magazine , no. 18 2011;

A rickshaw driver in steampunk Malaysia experiences the collapse of his livelihood as mechanisation rapidly replaces his profession in public transit.

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