Cirrus@Austlit

'Can anyone smell the suffering of souls? Of sadness, of hell on earth? Hell, I imagine, has a smell that bloats into infinity. Has a nasty sting of corpses. What was it Dante wrote? Abandon Every Hope is a lament, a deranged encyclopedia, and a diary of anxiety. How can anyone document the vastness of violence against animals in a bloated industrial age? Hayley Singer investigates the literatures of the slaughterhouse to map the contours of a world cut to pieces by organised and profit-driven death. In her compelling and poetic prose, Singer asks how we may write the life of the dead; the smell of an egg factory; of multispecies PTSD; of planetary harm and self-harm: of the horror we make on earth. Where does the slaughterhouse begin and how can it end?'

Source: Publisher's blurb.

'History, Emily Potter proposes in Writing Belonging at the Millennium: Notes from the Field on Settler-Colonial Place, ‘does not end when we stop telling a particular story of a particular time’ (146). The stories sit right here, in the ground. As Potter shows, they radiate in unpredictable ways. They continue to mark the present no matter how colonial culture attempts to encyst narratives of Indigenous knowledge, cultural practice and unextinguished connection to Indigenous Country.' (Introduction)

'I am listening to the ghosts of the meatified. It is to them that I - my thinking, my writing - is accountable. But, with only these words, how can I account for even a fraction of what goes on in the world of industrial animal agriculture? I can't. Not really. I know this. Here I go.' (Publication abstract)

'Susan Hawthorn’s Dark Matters is a culmination of over thirty years’ lesbian feminist activism and fifteen years’ research focused on violence – specifically torture – against lesbians in a global context. Hawthorn’s embodied experience and creative-intellectual rigour bring politics and poetics, desires and denials, silences and protests, bodies and implements of torture, intimate meditations and research expeditions, productive rage, testimony, speculative fiction and ficto-criticism together in a single novel.'  (Introduction)