Cirrus@Austlit

'Almost twenty years after forbidding him to contact her, Vita receives an email from her old benefactor, Royce. Once, she was one of his brightest protégées; now her career has stalled and Royce is ailing, and each has a need to settle accounts.

'Beyond their murky shared history, both have lost beloveds, one to an untimely death, another to a strange disappearance. And both are trying to free themselves from deeper pasts, Vita from the inheritance of her birthplace, Royce from the grip of the ancient city of Pompeii and the secrets of the Garden of the Fugitives. Between what’s been repressed and what has been excavated are disturbances that reach back through decades, even centuries.

'Addictive and unsettling, In the Garden of the Fugitives is a masterpiece of duplicity and counterplay, as brilliantly illuminating as it is surprising – about the obscure workings of guilt in the human psyche, the compulsion to create, and the dangerous morphing of desire into control. It is the breakthrough work of one of Australia’s most exciting emerging writers'. (Publication summary)

'In a trench on the Western Front a cat recalls her owner Colette's theatrical antics in Paris. In Nazi Germany, Himmler's dog seeks enlightenment. A Russian tortoise once owned by the Tolstoys drifts in space during the Cold War. In the siege of Sarajevo, a bear starving to death tells a fairytale; and a dolphin sent to Iraq by the US Navy writes a letter to Sylvia Plath.

'Ten animal souls tell extraordinary stories about their lives and deaths, caught up in human conflicts of the last century and its turnings. Together they form an animal's eye view of humans at both our brutal, violent worst and our creative, imaginative best. Exquisitely written, playful and poignant, Only the Animals is a remarkable literary achievement by one of our brightest young writers. It asks us to find our way back to empathy not only for animals, but for other people, and to believe again in the redemptive power of reading and writing fiction.' (Publication summary)

'Anna Funder's utterly compelling first novel All That I Am is about the heroic and largely tragic fate of a small group of left-wing German activists who opposed the rise of Hitler. It centres on two real people: the playwright Ernst Toller (famously eulogized by his friend W H Auden), and one of his associates, Ruth Koplowitz. Ruth was also a friend of Toller, and came to live in Sydney after WW2, where Anna got to know her well in later life. Their lives were tied together by the charismatic, passionate Dora - All That I Am vividly, passionately and irresistibly brings back to life their struggles, their hopes, their fears and their fates.'

Source: Penguin News, 6 October 2010
Sighted: 11/10/2010

'Meet Ella Canfield, highly qualified evolutionary biologist. Attractive, if a little serious-looking in those heavy glasses—but then she's about to put her career on the line. Dr Canfield is seeking funding for a highly unorthodox research project. She wants to prove that an extinct animal still roams in one of Australia's most popular national parks.

'Meet Daniel Metcalf, good-looking, expensively dishevelled millionaire. Quite witty but far too rich to be taken seriously. He heads the Metcalf Trust, which donates money to offbeat scientific research projects. He has a personal interest in animals that don't exist.

'Problem number one: There is no such person as Dr Ella Canfield.

'Problem number two: Della Gilmore, professional con artist, has never met anyone like Daniel Metcalf before.

'Someone is going to take a fall.

'A sparkling, sexy read from the author of Addition, Fall Girl is a story about passion and loyalty, deceit and integrity, and the importance of believing in things that don't exist.' (From the publisher's website.)

'Howard Hughes was one of the strangest and most significant figures of the twentieth century: aviator, film mogul, serial womaniser, billionaire, political meddler, drug addict, recluse. His obsessive-compulsive disorder would end up crippling and isolating him; in the end he self-medicated his way into oblivion.

'In the last years of Hughes' life, feeling his power ebb, bedridden and hopelessly addicted to drugs, he lays out and lays bare his history. He loops and reloops the past on a seemingly endless reel in his head as he spirals into madness and disconnection. In stops and starts, his life unfolds and gradually we see the shape and preoccupations of the twentieth century emerging from his ruined psyche - a world of oil, money, planes, flight, movies, drugs, sex, neurosis, fear - a world where paranoia reigns.' (Publisher's blurb)

'Grace counts. The letters in her name, Grace Lisa Vandenberg (19). The steps she takes every morning to the local cafe (920); the number of poppy seeds on her slice of orange cake, which dictates the number of bites she'll take to finish it. Grace counts everything, because numbers hold the world together, and Grace needs to keep an eye on how they're doing. Seamus Joseph O'Reilly (also a 19, with the sexiest hands Grace has ever seen) thinks Grace might be better off without the counting. If she could hold down a job, say. Or leave her flat without enumerating the contents of her cupboards or make a sandwich containing an unknown number of sprouts.

Grace's problem is that Seamus doesn't count. Her other problem is ... he does.' (Publisher's blurb)

"I watched the glaze of headlights, the windscreens of oncoming cars: a series of trapezoids with the silhouette of a single male driver. One pulled up in front of me; I reached over and opened the door, slid in. The smell of an unfamiliar car. A middle-aged man looking at me. 'Hi', I said. 'How are you?"...

'There was no single moment when someone looked at Kate Holden and said, 'Why don't you have some?' No one made her try heroin. There was only the sense, with her friends setting out on this forbidden adventure, that she would lose something if she didn't. Just once: to know. So this book is the story of a journey. From a loving family home to the streets of St Kilda; from a shy, bookish life to the ambivalent glamour of an inner-city brothel, Kate Holden describes with breathtaking lyricism and poignancy her travels in an unknown world. Contains explicit sexual scenes.' (Source: Vision Australia Information and Library Service)

'A chef, a portraitist and a barber are taken hostage in a coup to overthrow their boss, the president of a nameless country. They are held captive in a palatial retreat in the mountains high above the capital city. Meanwhile, the chef's daughter, the portraitist's pregnant wife and the barber's lover watch their men from the shadows – for in such precarious times, intimate relationships are as dangerous as political ones. As the old order falls, so does the veil that hides the truth about the secret passions of these men and women.

'Drawing her readers masterfully towards the novel's devastating climax, Ceridwen Dovey reveals how humanity's most atavistic impulses – vanity, vengeance and greed – seethe, relentlessly, just beneath the surface of everyday life. '

To write this non-fiction work about life in the former East Germany, Anna Funder interviewed former Stasi officers and the people they surveilled. Described in the National Library of Australia record as 'A book of travel, history and biography that reads like a documentary novel,' Stasiland takes 'a deliberately subjective and "literary" approach' to its material with an 'emphasis on a sympathetic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).