Jeannette Delamoir Jeannette Delamoir i(A138302 works by)
Gender: Female
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Works By

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1 Dominic Smith : The Electric Hotel Jeannette Delamoir , 2019 single work essay
— Appears in: The Newtown Review of Books , July 2019;

'The early years of cinema in Paris and US infuse this new novel from the Dominic Smith, author of The Last Painting of  Sara de Vos.'
1 Andrea Goldsmith : Invented Lives Jeannette Delamoir , 2019 single work review
— Appears in: The Newtown Review of Books , May 2019;
— Review of Invented Lives Andrea Goldsmith , 2019 single work novel

'This new novel from the author of the award-winning The Memory Trap explores what happens when an imagined life meets reality.'
1 'Zest to the jaded movie palate' : Wallace Worsley, Scott R. Dunlap and The Romance of Runnibede Jeannette Delamoir , 2018 single work criticism
— Appears in: American–Australian Cinema : Transnational Connections 2018; (p. 253-274) Examines The Romance of Runnibede as a case study for concerns about Hollywood's over-arching impact on early Australian (and international) film industries.
1 Gideon Haigh : A Scandal in Bohemia : The Life and Death of Mollie Dean Jeannette Delamoir , 2018 single work essay
— Appears in: The Newtown Review of Books , August 2018;

'In exploring the death – and life – of Mollie Dean, Gideon Haigh covers a lot of fascinating ground. '
1 Helen Haenke : Helen Haenke at Rockton: A Creative Life Jeannette Delamoir , 2017 single work essay
— Appears in: The Newtown Review of Books , July 2017;

'The life of Helen Haenke highlights the vitality and value of regional arts and their crucial interconnections with place.'
1 Joyce Morgan : Martin Sharp: His Life and Times. Jeannette Delamoir , 2017 single work essay
— Appears in: The Newtown Review of Books , June 2017; 'Joyce Morgan’s version of Martin Sharp presents an important portrait of the man and his times.'
1 Ashley Hay : A Hundred Small Lessons Jeannette Delamoir , 2017 single work essay
— Appears in: The Newtown Review of Books , May 2017; 'Ashley Hay’s new novel gives us warm, affectionate portraits of people and place in a story that shifts between past and present.'
1 Colleen Z Burke The Waves Turn: a Memoir. Reviewed by Jeannette Delamoir Jeannette Delamoir , 2016 single work review
— Appears in: The Newtown Review of Books , June 2016;
— Review of The Waves Turn : A Memoir Colleen Burke , 2016 single work autobiography 'The Waves Turn provides a valuable lens though which to explore the intertwined histories of folk music, Irish heritage, and political activism. ...'
1 Fiona McFarlane : The High Places Jeannette Delamoir , 2016 single work review
— Appears in: The Newtown Review of Books , March 2016;
— Review of The High Places Fiona McFarlane , 2016 selected work short story
1 Georgina Arnott : The Unknown Judith Wright Jeannette Delamoir , 2016 single work review
— Appears in: The Newtown Review of Books , November 2016;
— Review of The Unknown Judith Wright Georgina Arnott , 2016 single work biography
1 The 1927 Royal Commission in Rockhampton: a Window Onto Regional Exhibition Jeannette Delamoir , 2015 single work criticism
— Appears in: Studies in Australasian Cinema , vol. 9 no. 3 2015; (p. 283-297) 'Of all the Australian states, Queensland had the highest number of exhibitors who gave evidence to the Royal Commission, with 22 out of the national total of 53. In Rockhampton, the three exhibitors who gave evidence represented all five cinemas in the town. These exhibitors spoke from the perspective of different exhibition models: the large chain, the family business and the second-run suburban cinema. With brief comparisons to evidence given in other Queensland towns, this study of the Rockhampton exhibitors' submissions reveals the concerns of regional picture-show operators and the likes and dislikes of regional audiences. While exhibitors found much to complain about in the Americans' large-scale, centralised business practices, there was a surprising degree of acceptance, suggesting that further close exploration of the Royal Commission evidence can reveal much about regional Australia's interactions with local, national and global culture.'
1 Introduction to Re-evaluating the Royal Commission into the Australian Moving Picture Industry, 1927–1928 Jeannette Delamoir , Stephen Gaunson , 2015 single work criticism
— Appears in: Studies in Australasian Cinema , vol. 9 no. 3 2015; (p. 225-229) 'Welcome to this special issue on ‘Re-evaluating the Royal Commission into the Australian Moving Picture Industry, 1927–1928’. Although nearly 90 years have passed since that Royal Commission, the concerns it addressed remain relevant today: how to protect the local film industry, and how to regulate the dominance of American movies. It is perhaps this reason as to why researchers, scholars, students and teachers keep returning to the Commission as a way to make sense of the complexities that continue to define the Australian cinema industry.' (Author's introduction)
1 Carmel Bird : My Hearts Are Your Hearts Jeannette Delamoir , 2015 single work review
— Appears in: The Newtown Review of Books , July 2015;
— Review of My Hearts Are Your Hearts Carmel Bird , 2015 selected work short story
1 Julian Leatherdale : Palace of Tears Jeannette Delamoir , 2015 single work review
— Appears in: The Newtown Review of Books , June 2015;
— Review of Palace of Tears Julian Leatherdale , 2015 single work novel
1 Patti Miller : Ransacking Paris : A Year with Montaigne and Friends. Jeannette Delamoir , 2015 single work review
— Appears in: The Newtown Review of Books , April 2015;
— Review of Ransacking Paris : A Year with Montaigne and Friends Patti Miller , 2015 single work novel
1 1913: The World to Come Is Made of Love Jeannette Delamoir , 2014 single work short story
— Appears in: The World to Come 2014;
1 Tracy Farr : The Life and Loves of Lena Gaunt Jeannette Delamoir , 2014 single work review
— Appears in: The Newtown Review of Books , October 2014;
— Review of The Life and Loves of Lena Gaunt Tracy Farr , 2012 single work novel
1 y separately published work icon The Explosive Life of an Exploiteer : Franklyn Barrett Tours North Queensland with 'The Ten Commandments' Jeannette Delamoir , Canberra : National Film and Sound Archive , 2013 7301080 2013 single work biography

Hollywood, local filmmakers and regional Australia intersect in the story of Franklyn Barrett’s touring of a live prologue to Cecil B DeMille’s The Ten Commandments in Far North Queensland, 1925.
1 Sweet Dreams : Queensland, Sugar and the 1927 Royal Commission into the Moving Picture Industry Jeannette Delamoir , 2011 single work criticism
— Appears in: Studies in Australasian Cinema , 24 August vol. 5 no. 2 2011; (p. 107-119) 'The impetus for the 1927 Royal Commission into the Moving Picture Industry was the US film companies' 'stranglehold' on the Australian film industry, the effects of which were perceived as undermining both Australian film businesses and Australian national identity. The Commissioners took evidence in seven Queensland towns, some quite small and isolated, with almost all exhibitors from these locations represented. This evidence constructs an in-depth picture of film business and consumption in regional Australia, as well as a social, cultural and economic portrait of the country on the cusp of the Great Depression. This article takes as its starting point the Commissioners' repeated comparison of the film industry and Queensland's sugar industry, and their suggestions that the film industry's problems could be solved by replicating the intervention and support given to the sugar industry by both State and Federal Governments. These references, the article argues, reveal the Commissioners' understanding of the film industry, and conjectures that these conceptualizations may still influence the way Australian films are watched today.' (Editor's abstract)
1 Rhapsody in Blueberry Jeannette Delamoir , 2011 single work short story
— Appears in: One Book Many Brisbanes : Sixth Anthology of Brisbane Stories 2011; (p. 48-59) A rain-slick night in November 1977. A police car pulls up outside a house on Cochrane Street, Paddington. Inside the house, a troubled young man in a disintegrating beanbag watches Joh Bjelke-Petersen on television. What do the police oficers want? And what is that sticky blue stain on the cracked lino?' (48)
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