'In this article, we consider the work of Blue Roo Theatre Company, a Brisbane-based theatre company which 'creates contemporary performances led by the artistry, experiences and imaginations of an ensemble of artists with diverse ability and impairment' (Blue Roo Theatre Company). Writing from a dual insider-outsider perspective - as a scholar of disability theatre and a creator of disability theatre in conversation - we discuss the work done in the training and rehearsal room in the lead up to the company's performances, and the way it creates a distinctive performance style, poetics, stage presence, pleasure for the spectators who come along to witness the results of the work, and sense of community. We document moments in which facilitators, collaborators, co-creating artists, audiences and the media alike feel the physical, psychological, and aesthetic focus and force of voice. Movement and character are made to work by people with disabilities. In doing so, we provide insights into the Blue Roo Theatre Company's processes, and the aesthetic results it produces, and the way it contributes to a growing body of commentary around disability theatre and performance.' (Publication abstract)
