Sally Evans Sally Evans i(A133804 works by)
Gender: Female
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Works By

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1 Sally Evans Reviews That Sight Sally Evans , 2020 single work review
— Appears in: Rabbit , June no. 30 2020; (p. 243)
— Review of That Sight Marjon Mossammaparast , 2018 selected work poetry
1 Sally Evans Reviews Recipes for the Disaster Sally Evans , 2020 single work review
— Appears in: Rabbit , June no. 30 2020; (p. 242)
— Review of Recipes for the Disaster Gareth Sion Jenkins , 2019 selected work poetry
1 Sally Evans Reviews Flood Damages Sally Evans , 2020 single work review
— Appears in: Rabbit , June no. 30 2020; (p. 241)
— Review of Flood Damages Eunice Andrada , 2018 selected work poetry
1 “Hubcap and Lichen” : Anti-Anthropocentrism in Libby Hart’s Wild and Bonny Cassidy’s Final Theory Sally Evans , 2016 single work review
— Appears in: Long Paddock , vol. 75 no. 3 2016;
— Review of Final Theory Bonny Cassidy , 2014 selected work poetry ; Wild Libby Hart , 2014 selected work poetry
1 Unsettlement : Psychoecology and Absence in Mireille Juchau's The World Without Us Sally Evans , 2016 single work review
— Appears in: Southerly , vol. 75 no. 2 2016; (p. 260-264)
— Review of The World Without Us Mireille Juchau , 2015 single work novel
1 The Patchwork Girl’s Daughters : Cyberfemininity, Hybridity, and Excess in the Poetry of Stephanie Strickland and Mez Breeze Sally Evans , 2016 single work criticism
— Appears in: Contemporary Women's Writing , March vol. 10 no. 1 2016; (p. 105-122) 'This article explores the emergence of the cyberfeminine within electronic poetry and the ways in which the digital environment can open up new readings and writings of the feminine. Using Shelley Jackson’s 1995 hypertext work Patchwork Girl as the initial model for a form of cyberfemininity that operates through hybridity and excess, this article examines the legacies of “patchwork” digital femininity in the works of Mez Breeze and Stephanie Strickland. Written in the invented language mezangelle, Mez Breeze’s works posit the feminine as fluid, flexible, always cyborgian, and always deeply bodily. Thus, the troubled language of mezangelle reflects these troubled cyberfeminine bodies: simultaneously organic and mechanical, embracing and queering femininity, and invested in an embodied existence that functions, in Elizabeth Grosz’s terms, as a “source of interference in, and danger to, the operations of reason” (5). Breeze’s hypermedia works, which combine visual, aural and textual elements, also directly address this “unreasonable” feminine body and the challenges to liberal humanist subjectivity that cyberfemininity presents. Stephanie Strickland’s sequence “The Ballad of Sand and Harry Soot” explores cyberfemininity through the titular character Sand (so named for the silicon that makes up her circuits). Strickland uses hyperlinking to proliferate possible readings and demonstrate the potential complexity and flexibility of a cyberfeminine identity. By comparing Breeze and Strickland’s works, this article identifies the ways in which digital spaces offer a unique opportunity for the exploration of cyberfeminine identities and, potentially, other queer identities beyond the limits of white heteropatriarchy.' (Publication abstract)
1 Savour the Spectrum Sally Evans , 2015 single work essay
— Appears in: Overland [Online] , May 2015;
1 (5[0] S)Hades i "Hades", Sally Evans , 2015 single work poetry
— Appears in: Otoliths , 1 February no. 36 2015;
1 Review : Drones and Phantoms Sally Evans , 2015 single work prose
— Appears in: Rabbit , March no. 14 2015; (p. 164-168)
— Review of Drones and Phantoms Jennifer Maiden , 2014 selected work poetry
1 Review : Carol Jenkins Xn and Tricia Dearborn, The Ringing World Sally Evans , 2014 single work review
— Appears in: Long Paddock , vol. 74 no. 3 2014;
— Review of Xn Carol Jenkins , 2013 selected work poetry ; The Ringing World Tricia Dearborn , 2012 selected work poetry
1 Review : Ephemeral Waters Sally Evans , 2014 single work review
— Appears in: Rabbit , Autumn no. 12 2014; (p. 126-132)
— Review of Ephemeral Waters Kate Middleton , 2013 selected work poetry
1 Sally Evans Reviews David Prater Sally Evans , 2014 single work review
— Appears in: Cordite Poetry Review , 1 May no. 46.0 2014;
— Review of Leaves of Glass David Prater , 2013 selected work poetry
1 Sea God i "dirty like a barnacle", Sally Evans , 2012 single work poetry
— Appears in: Islet
1 Echo i "The big melaleuca", Sally Evans , 2011 single work poetry
— Appears in: Tide , no. 8 2011; (p. 122)
1 Calypso i "A promiscuous nibble-", Sally Evans , 2011 single work poetry
— Appears in: Tide , no. 8 2011; (p. 81)
1 'The Anti-Logos Weapon’: Excesses of Meaning and Subjectivity in Mezangelle Poetry Sally Evans , 2011 single work criticism
— Appears in: Cordite Poetry Review , December vol. 36 no. 2011; 'Mezangelle poetry is a form of electronic code poetry popularized by the avatarised avant-gardist, Australian multimedia artist Mez Breeze, a.k.a. Mez, a.k.a. Netwurker. The word mezangelle is adjective, noun and verb: mezangelle can refer to or describe the language in which Mez's codeworks are written, while to mezangelle is to use, and operate within, this language...' (Author's introduction)
1 Archive Fever in a Typingspace : Physicality, Digital Storage, and the Online Presence of Derek Motion Sally Evans , 2011 single work criticism
— Appears in: JASAL , Special Issue vol. 11 no. 1 2011; (p. 1-11) 'This paper analyses the divergences between Derrida's notion of the archive and hypermedia theory as it emerges in the late twentieth century through the writings of George P. Landow. The online presence of Australian poet Derek Motion is examined in order to demonstrate the distinction between the physicalised archive and the virtual electronic space of hypertexts, and to explicate some of the issues of legitimacy that exist around electronic texts.' (Author's abstract)
1 Three Mornings i "saturday", Sally Evans , 2009 single work poetry
— Appears in: Tide , no. 6 2009; (p. 83)
1 Cosmogeny i "I am pliable", Sally Evans , 2009 single work poetry
— Appears in: Tide , no. 6 2009; (p. 7)
1 Escargot Sally Evans , 2007 single work short story
— Appears in: OneFifty : Microfiction 2007;
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