Julia Kuehn Julia Kuehn i(A131506 works by)
Gender: Female
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Works By

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1 The Victorians and China Julia Kuehn , 2015 single work criticism
— Appears in: Australasian Journal of Victorian Studies , vol. 20 no. 1 2015; (p. 1-77)
'One could argue that the Victorian relations with China began, avant la lettre, in 1793, with Lord Macartney’s famous refusal to kowtow in front of the Chinese Emperor unless he did the same before a portrait of the British monarch. Gone were the days of a romanticised China, as in Coleridge’s “Kubla Khan”; the Macartney Embassy encountered China as a reality, and, more importantly, as a real force to reckon with. The relationship with China – politically, economically, culturally – was not going to be an easy one.' (Publication abstract)
1 y separately published work icon Diasporic Chineseness after the Rise of China : Communities and Cultural Production David M. Pomfret (editor), Kam Louie (editor), Julia Kuehn (editor), Vancouver : UBC Press , 2013 7041810 2013 anthology criticism
1 y separately published work icon Travel Writing, Form, and Empire : The Poetics and Politics of Mobility Julia Kuehn (editor), Paul Smethurst (editor), New York (City) : Routledge Taylor & Francis Group , 2009 Z1674559 2009 anthology criticism

'This collection of essays is an important contribution to travel writing studies -- looking beyond the explicitly political questions of postcolonial and gender discourses, it considers the form, poetics, institutions and reception of travel writing in the history of empire and its aftermath.

Starting from the premise that travel writing studies has received much of its impetus and theoretical input from the sometimes overgeneralized precepts of postcolonial studies and gender studies, this collection aims to explore more widely and more locally the expression of imperialist discourse in travel writing, and also to locate within contemporary travel writing attempts to evade or re-engage with the power politics of such discourse. There is a double focus then to explore further postcolonial theory in European travel writing (Anglophone, Francophone and Hispanic), and to trace the emergence of postcolonial forms of travel writing. The thread that draws the two halves of the collection together is an interest in form and relations between form and travel.' (Publisher's blurb)

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