David Zweck David Zweck i(A130415 works by)
Gender: Male
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1 form y separately published work icon Sam's Luck Noel Robinson , ( dir. David Zweck ) Melbourne : Australian Broadcasting Commission , 1980 7971801 1980 series - publisher film/TV children's

'ABC-produced serial about the adventures of three youngsters managing their own household. The Parkes children are to stay with relatives while their mother is overseas, but Sam, Janny and Daniel have other ideas.'

Source:

[Television guide], Canberra Times, 7 July 1980, p.17.

For a detailed, episode-by-episode synopsis, see Film Details.

1 form y separately published work icon Catspaw The Catspaw Ted Roberts , ( dir. David Zweck et. al. )agent 1978 Australia : Australian Broadcasting Commission , 1978 6097148 1978 series - publisher film/TV crime thriller

'Thriller serial Catspaw was an exciting tale about a group of Australian mercenaries who are hired to recover a stolen helicopter. Tim Keppel, an RAF officer seconded to the RAAF had gone missing with the copter and Flight Lt Harry Sawtell led the team trying to find it.'

Source: TV Profiles (http://www.tellyprofiles.com/australian-tv/catspaw/). (Sighted: 28/6/2013)

A short piece in TV Times (3-9 June 1978) noted:

'In air force jargon a catspaw is a "bunny" – someone left holding the bag. In ABC‘s new adventure series The Catspaw, it’s up to viewers to work out who should be carrying the blame. The seven-part series, featuring familiar names such as Ken James (pictured), Rowena Wallace, Peter Sumner, John Diedrich and John Stanton, revolves around the disappearance of an RAF officer Tim Keppel (Warwick Sims).'

See Television.au (http://televisionau.com/2008/06/1978-june-3-9.html) (Sighted: 28/6/2013)

1 2 form y separately published work icon Power Without Glory Sonia Borg , Cliff Green , Howard Griffiths , Tom Hegarty , John Martin , Roger Simpson , ABC Television (publisher), ( dir. John Gauci et. al. )agent Australia : Paradine Productions ABC Television , 1976 Z1690132 1976 series - publisher film/TV

Spanning the 1890s to the 1950s, Power Without Glory is the story of a man determined to make something of his life. Raised in a Melbourne slum area, John West later gains wealth and power, his influence extending into his business, his political ambitions, and his family life. The events of his life unfold against a backdrop of major historical events, including World War One and the beginnings of the Australian Labour Party.

1 form y separately published work icon Lucky Colour Blue Virginia Patricia Duigan , ( dir. John Gauci et. al. )agent 1975 Melbourne : ABC Television , 1975 Z1662793 1975 series - publisher film/TV

A sequel to A Taste for Blue Ribbons (1973), this children's period drama tells the story of the Byrne family (who run a horseriding school outside Melbourne) and the young daughter seeking to make the Olympic equestrian team.

1 form y separately published work icon Alpha Scorpio James Davern , ( dir. Keith Wilkes et. al. )agent Melbourne : Australian Broadcasting Commission , 1974 Z1842600 1974 series - publisher film/TV science fiction

Aimed largely at young (specifically male) viewers, Alpha Scorpio followed the sudden realisation of two university students, enjoying a quiet coastal holiday, that their friend Mirny is one of a group of aliens from the fifth planet of Antares who have recently landed on Earth.

Alpha Scorpio has never been released on either video or DVD, and it is possible that nothing but the first episode remains in the ABC archives. However, the first episode is available to view on YouTube, beginning with part one: http://www.youtube.com/watch?v=Eq7QOln0fro (Sighted 16/2/2011)

The program is a sole-author work: James Davern scripted all six episodes.

Further Reference

'"Alpha Scorpio": Based on Fact', Australian Women's Weekly, Wed.. 17 Oct. 1973, p.27.

1 form y separately published work icon Rush James Davern , David William Boutland , James Davern , Ted Roberts , Victor Sankey , Colin Free , Sonia Borg , Oriel Gray , Colin Eggleston , Cliff Green , Howard Griffiths , John Martin , ( dir. David Zweck et. al. )agent Melbourne : Australian Broadcasting Commission , 1974 Z1833016 1974 series - publisher film/TV historical fiction crime

One of Australia's earliest television dramatisations of its gold-rush era, Rush is, as Don Storey points out in his Classic Australian Television, in many ways two entirely separate programs: between series one and series two, the setting shifts from the Victorian goldfields to a New South Wales mining town, and jumps forward from the 1850s to the early 1860s. However, both series take place in the same universe, use the same chronology, and have a clear internal coherence, centred on the continuing character of Sergeant Robert McKellar. Therefore, they are generally treated as two separate series of a single program.

(The differences in cast, crew, writers, and directors between the two series are given in detail in the film details section below.)

With its enormous, intricate, expensive, and accurate sets, costumes, and props, Rush proved extremely popular with viewers, despite series one airing in an awkward weeknight 8pm slot (which, as Storey notes, put it against the second half of the highly successful Homicide in Melbourne). Series one did, however, attract some criticism for being filmed in black-and-white when colour programming was only a matter of months away in Australia.

Series two (which drew on foreign financing to cover its cost, an extremely high--for a domestically produced program--$24,000 an episode) was made in colour. Following Sergeant McKellar (the only character to carry over from series one), series two pushed the character forward through two disillusioning events (the Eureka Stockade, which prompted McKellar's resignation from the Victoria Police, and the death of his wife Sarah) and dropped him into the conflicts of a small New South Wales mining town.

Series two was also extremely popular but, according to Storey, plans for series three were shelved when the new Fraser government instituted (among other things) a hefty budget cut to the ABC.

Series one gained renewed prominence in the 1990s when, like police procedural Bluey, it was re-dubbed and sent up on The Late Show (as The Olden Days).

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