Cirrus@Austlit

'Domestic abuse is a national emergency: one in four Australian women has experienced violence from a man she was intimate with. But too often we ask the wrong question: why didn’t she leave? We should be asking: why did he do it?

'Investigative journalist Jess Hill puts perpetrators – and the systems that enable them – in the spotlight. See What You Made Me Do is a deep dive into the abuse so many women and children experience – abuse that is often reinforced by the justice system they trust to protect them. Critically, it shows that we can drastically reduce domestic violence – not in generations to come, but today.

'Combining forensic research with riveting storytelling, See What You Made Me Do radically rethinks how to confront the national crisis of fear and abuse in our homes.' (Publication summary)

'Rachel is German and Jewish and living in Leipzig,Germany. Life is good, and revolves around Sabbath meals shared with her happy family.With the outbreak of World War II, their lives are changed. The family are forced to move from their comfortable home into cramped housing, and when the Nazis arrive to finally take the family away they don′t know what is to become of them.

'But Rachel′s father gives her instructions that save her life. He also tells her not to speak. Rachel remains quiet for the rest of the war, but what happened to her family? Will Rachel regain her voice now that she really needs it?' (From the publisher's website.)

'Secrets, lies, murder and betrayal.

'Micah Wilkins is a liar. But when her boyfriend, Zach, dies under brutal circumstances, the shock might be enough to set her straight. Or maybe not. Especially when lying comes as naturally to her as breathing. Was Micah dating Zach? Did they kiss? Did she see him the night he died? And is she really hiding a family secret? Where does the actual truth lie?

'Liar is a breathtaking roller-coaster read that will have you up all night, desperately seeking for something true.' (From the publisher's website.)

'It's the beginning of the 20th century; the age of scientific progress. But for Venice the future looks bleak. A conference of scientists assembles to address the problems, among whose delegates are the parents of eleven-year-old Teodora. Within days of her arrival, she is subsumed into the secret life of Venice: a world in which salty-tongued mermaids run subversive printing presses, ghosts good and bad patrol the streets and librarians turn fluidly into cats. A battle against forces determined to destroy the city once and for all quickly ensues. Only Teo, the undrowned child who survived a tragic accident as a baby, can go "between-the-linings" to subvert evil and restore order.'

Source: Publisher's blurb.

'The pseudonymous Hearn's second thrilling installment of her Tales of the Otori trilogy (after 2002's Across the Nightingale Floor) is once again set in a magic-haunted version of medieval Japan where no one wields unchallenged authority and no one is safe. The swirl of treacherous, shifting clan alliances threatens to overwhelm young lovers and aristocrats Takeo and Kaede. Separated throughout most of the action, the two must develop their talents while trying to maintain their integrity. Takeo possesses superhuman gifts such as the ability to become invisible, project a double image of himself and hear distant conversations; however, he must discipline his skills and control his impetuous temper. He also must work out his relationship with the Tribe, a treacherous secret organization of spies and assassins that saved his life but that may have murdered his father. Kaede, meanwhile, has to escape the powerless role of a woman if she is to protect herself and her family domain from predatory neighbors'.

Source: bookseller's website.