Cirrus@Austlit

'Sometimes bees get too big to be up in the branches, sometimes they fall and break their bones. This week both happened and Foreman said, 'Tomorrow we'll find two new bees.'

'Peony lives with her sister and grandfather on a fruit farm outside the city. In a world where real bees are extinct, the quickest, bravest kids climb the fruit trees and pollinate the flowers by hand. All Peony really wants is to be a bee. Life on the farm is a scrabble, but there is enough to eat and a place to sleep, and there is love. Then Peony's mother arrives to take her away from everything she has ever known, and all Peony's grit and quick thinking might not be enough to keep her safe.

'How To Bee is a beautiful and fierce novel for younger readers, and the voice of Peony will stay with you long after you read the last page.'

Source: Publisher's blurb.

'The most enchanting debut novel of 2018, this is an irresistible, deeply moving and romantic story of a young girl, daughter of an abusive father, who has to learn the hard way that she can break the patterns of the past, live on her own terms and find her own strength.

'An enchanting and captivating novel, about how our untold stories haunt us - and the stories we tell ourselves in order to survive.

'After her family suffers a tragedy, nine-year-old Alice Hart is forced to leave her idyllic seaside home. She is taken in by her grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak.

'Under the watchful eye of June and the women who run the farm, Alice settles, but grows up increasingly frustrated by how little she knows of her family's story. In her early twenties, Alice's life is thrown into upheaval again when she suffers devastating betrayal and loss. Desperate to outrun grief, Alice flees to the dramatically beautiful central Australian desert. In this otherworldly landscape Alice thinks she has found solace, until she meets a charismatic and ultimately dangerous man.

'Spanning two decades, set between sugar cane fields by the sea, a native Australian flower farm, and a celestial crater in the central desert, The Lost Flowers of Alice Hart follows Alice's unforgettable journey, as she learns that the most powerful story she will ever possess is her own.'

Source: Publisher's blurb.

'She came walking out of the desert, just as the famous poet had centuries before. Impossible for them both to have survived that relentless furnace, that destroyer of all life.

Now the nameless woman lies horribly scarred and close to death in an Asylum deep in the North African desert. An Australian official, a man code-named John Devlin, has come to question her, despite the protests of her carers. It is clear that the woman and Devlin share some kind of past, and all kinds of secrets - but the greatest secret is the one she will die to protect.

As the wind calls up a deadly sandstorm, the inhabitants of the Asylum discover they are linked by a diary written by the poet Rimbaud, who in 1890 also confronted the implacable power of the desert. Over the next one hundred and twenty years, everyone who sees the diary will want it. Most will do anything to possess it.

For some, like ruthless Polish aristocrat Aleksander Walenska, the diary holds secrets that will bring him riches and power. For his troubled and religious son Czeslaw, it is a book of death, a penance to be fulfilled by sacrifice. For Czeslaw's sister, it is a book of the desert which, if returned to its rightful home, will redeem her family's name. For Devlin, broken by his own ghosts, and with one final chance to make amends, the diary is worthless; the desert not a place of revelation, but the birthplace of modern terrorism.

Only the woman, whose dark past is entwined with those who would possess the diary at any cost, sees the true worth of the book. As she surrenders to the transformative power of the desert, only she understands how it exalts the secrets mapped on the diary's precious pages.' (From the publisher's website.)