Sandy O'Sullivan Sandy O'Sullivan i(A124784 works by) (a.k.a. Sandy Indlekofer-O'Sullivan)
Gender: Non-binary
Heritage: Aboriginal ; Aboriginal Wiradjuri
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Works By

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1 y separately published work icon The Routledge Handbook of Australian Indigenous Peoples and Futures Bronwyn Carlson (editor), Madi Day (editor), Sandy O'Sullivan (editor), Tristan Kennedy (editor), New York (City) : Routledge , 2023 28142381 2023 selected work criticism

'Providing an international reference work written solely by Aboriginal and Torres Strait Islander authors, this book offers a powerful overview of emergent and topical research in the field of global Indigenous studies. It addresses current concerns of Australian Indigenous peoples of today, and explores opportunities to develop, and support the development of, Indigenous resilience and solidarity to create a fairer, safer, more inclusive future. Divided into three sections, this book explores: * What futures for Aboriginal and/or Torres Strait Islander peoples might look like, and how institutions, structures and systems can be transformed to such a future; * The complexity of Aboriginal and Torres Strait Island life and identity, and the possibilities for Australian Indigenous futures; and * The many and varied ways in which Aboriginal and Torres Strait Islander peoples use technology, and how it is transforming their lives. This book documents a turning point in global Indigenous history: the disintermediation of Indigenous voices and the promotion of opportunities for Indigenous peoples to map their own futures. It is a valuable resource for students and scholars of Indigenous studies, as well as gender and sexuality studies, education studies, ethnicity and identity studies, and decolonising development studies.'

Source: Publisher's blurb.

1 How We Die (For David Hardy) Sandy O'Sullivan , 2023 single work poetry
— Appears in: Nangamay Dream Mana Gather Djurali Grow : First Nations Australia LGBTQIA Poetry 2023; (p. 80)
1 Coming in Sandy O'Sullivan , 2023 single work poetry
— Appears in: Nangamay Dream Mana Gather Djurali Grow : First Nations Australia LGBTQIA Poetry 2023; (p. 23)
1 The Colonial Trappings of Gender Sandy O'Sullivan , 2022 single work autobiography
— Appears in: Nothing to Hide : Voices of Trans and Gender Diverse Australia 2022;
1 Challenging the Colonialities of Symbolic Annihilation Sandy O'Sullivan , 2022 single work criticism
— Appears in: Southerly , vol. 79 no. 3 2022; (p. 16-22)
'Indigenous researchers often articulate relationality as a measure to maintain transparency and accountability to other Indigenous peoples, and as a direct challenge to the disconnected colonial writings about us, by others (Kovach; Dudgeon and Bray). My own relationality statement for this article asserts my belonging and investment as a Wiradjuri, transgender/non-binary person, a Professor of Indigenous Studies, a sound artist and performer, and as someone with a large family who I care for and who trace a thousand generations of connection to land and life across the continent of "so-called Australia" (Day 367). In the context of an article focused on queer Indigenous representation, asserting my broader kinship responsibilities to queer Indigenous Mob (TallBear 5-15; Carlson et al. 23) also flags intent to create space that begins with us and ends with a challenge to others to represent. ' 

(Introduction)

1 y separately published work icon 101 Links to Black Writers and Voices Sandy O'Sullivan , St Lucia : AustLit: The Australian Literature Resource , 2020 28284731 2020 single work bibliography

'The following list links to Black writing and voices from across Australia.  

'The work is from writers, journalists, scholars, activists, curators, radio presenters, health workers, social commentators, lawyers, students, teachers, thinkers, and more.  

'Some are Elders. 

'All work listed here comes from the labour of the authors. 

'Why Black voices? 

'As I write this on 23 June 2020, the two scholars most cited and promoted on social media in the field of racism and privilege, are White. They are the most heard and the most visible and both have had #BlackLivesMatter applied to posts at a far higher rate over the last few weeks, than the many thousands of Black writers who have been doing this work for decades, and across centuries. One currently tops the NY Times Non-Fiction Best Seller list.

'The promotion of their work over Black writers perpetuates the idea that White people understand racism best, and that only they can solve it. Dangerously, it suggests that racism actually has nothing to do with Black people.  

'To counter this and to respond to the call that Black voices are listened to first, rather than last, here are 101 links and resources already shared across social media.  

'Selection? 

'The list represents a range of voices and approaches, but like any list formed by one person, it’s a little idiosyncratic.  I really appreciate these people and their work, I think they make the world better.  There you go, not very scientific.'

Source: Introduction.

1 How to (not) Define Aboriginal Lesbian Identity Sandy O'Sullivan , 2017 single work biography
— Appears in: Us Women, Our Ways, Our World 2017;
1 1 y separately published work icon Finding Common Ground : Narratives, Provocations and Reflections from the 40 Year Celebration of Batchelor Institute Henk Huijser (editor), Robyn Ober (editor), Sandy O'Sullivan (editor), Eva McRae-Williams (editor), Ruth Elvin (editor), Batchelor : Batchelor Press , 2015 9118367 2015 selected work criticism

This book represents a comprehensive 'glimpse' into the history of Batchelor Institute

1 Stranger in a Strange Land : Aspiration, Uniform and the Fine Edges of Identity Sandy O'Sullivan , 2015 single work life story
— Appears in: Colouring the Rainbow : Blak Queer and Trans Perspectives : Life Stories and Essays by First Nations People of Australia 2015;
1 [Review Essay] Yulyurlu Lorna Fencer Napurrurla Sandy O'Sullivan , 2012 single work essay
— Appears in: Australian Aboriginal Studies , no. 2 2012; (p. 105-107)

'This series of personal perspectives on the work and life of Yulyurlu Lorna Fencer Napurrurla focuses on a remarkable artist and her contribution as an uncompromising leader in contemporary art practice. West’s edited volume comprises three personally connected essays and plates of Napurrurla’s better known works. The book delivers through soulful, personal and evocative narratives a strong connection to the artist, who died in 2006.'  (Introduction)

1 Holding Me 2 i "My mother keeps her mother's dinner set", Ali Smith , Sandy O'Sullivan , 1997 single work poetry
— Appears in: Gravity 1997; (p. 10)
1 Ritual i "Ritual has come to define my life", Sandy O'Sullivan , 1997 single work poetry
— Appears in: Gravity 1997; (p. 9)
1 Australian Love Stories : Time Capsule i "My first sexual experience was at a Sherbert concert", Ali Smith , Sandy O'Sullivan , 1997 single work poetry
— Appears in: Gravity 1997; (p. 7)
1 When I Think of Her, I Imagine Myself i "When you enter the eye of a cyclone", Sandy O'Sullivan , 1997 single work poetry
— Appears in: Gravity 1997; (p. 5)
1 Australian Love Stories : Delirium i "I sleep in a room in the western side of the house", Ali Smith , Sandy O'Sullivan , 1997 single work poetry
— Appears in: Gravity 1997; (p. 3)
1 Valour i "Obsession is under-rated", Sandy O'Sullivan , 1997 single work poetry
— Appears in: Gravity 1997; (p. 2)
1 Holding Me 1 i "I am constructing my own history", Ali Smith , Sandy O'Sullivan , 1997 single work poetry
— Appears in: Gravity 1997; (p. 1)
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