James Ricketson James Ricketson i(A11310 works by)
Gender: Male
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2 11 form y separately published work icon Blackfellas Day of the Dog James Ricketson , Cottesloe : Barron Entertainment , 1991 11650254 1991 single work film/TV Nineteen years old and on parole, all Doug Dooligan wants to do is get on with his life away from the influence of his best friend Floyd 'Pretty Boy' Davis. Floyd, a charming conman and petty thief, has other ideas. He thinks Doug's decision to go straight is a rejection of his Nyoongah lifestyle in favour of white fella values. Edith, Doug's white mother, reminds Doug that she is his people too. He is faced with the daunting tasks of reconciling the opposing expectations of two cultures, family and friends.
1 form y separately published work icon Candy Regentag Kiss the Night Don Catchlove , ( dir. James Ricketson ) Australia : Rainy Day Productions , 1988 6950243 1988 single work film/TV thriller

'Candy has been working in Bambi's health studio and massage parlour for six months to raise money to buy time or maybe freedom. She becomes involved in a triangular love affair. Gradually her sense of self assurance slips away and she becomes the prisoner of her obsession. A powerful often amusing story, at first deceptively naturalistic, it develops as a psychological suspense story with a classically tragic ending.'

Source: Screen Australia. (Sighted: 23/1/2014)

1 The Challenge of the Old James Ricketson , 1983 single work prose
— Appears in: Women of the Sun 1983; (p. 3-7)
1 5 form y separately published work icon Women of the Sun Sonia Borg , Hyllus Maris , ( dir. James Ricketson et. al. )agent 1982 St Kilda : Generation Films , 1982 Z1684559 1982 series - publisher film/TV historical fiction

A ground-breaking television series, Women of the Sun was, according to Moran in his Guide to Australian TV Series, born out of co-writer Sonia Borg's desire for a more balanced televisual representation of Indigenous Australians: 'Angry at the plight of Aborigines, she was concerned that many scriptwriters could conceive of Aboriginal women only as prostitutes.' To counter this tendency, she contemplated a series that showed Australian history from the perspective of Aboriginal women, a project for which she sought the colloboration of sociologist and social worker Hyllus Maris.

Because, as Moran notes, it 'portrayed the history of Aboriginal people since the incursion of the whites, focusing on the relations between blacks and whites over the previous 200 years', Women of the Sun 'was a direct counter to the various official histories in preparation for the Bicentennial celebrations in 1988'.

Women of the Sun is divided into four parts, each of which focuses on a different woman in a different period of history.

'Alinta the Flame' (set in the 1820s) shows the interaction between the two cultures as an Indigenous Australian tribe (the Nyari) nurse back to health two English convicts whom they find washed up on the beach, only to find the new settlers increasingly encroaching on Nyari lands--a process that ends in the annihilation of the entire tribe, barring Alinta and her young daughter.

'Maydina the Shadow' (set in the 1890s) follows Maydina, abducted and abused by a group of seal-hunters, from whom she eventually escapes with her daughter Biri (who is of mixed Indigenous Australian and European heritage). Taken in by Mrs McPhee, head of a church mission, Maydina is separated from her child and sent into service for the church. When she falls in love with an Indigenous Australian man and attempts to leave with him and Biri to return to a traditional lifestyle, Mrs McPhee has them pursued by troopers, who kill Maydina's lover and remove Biri from her care.

'Nerida Anderson' (set in 1939) focuses on the Cumeroongunga Walkout, showing the deterioration in conditions on the reserve through the eyes of Nerida Anderson, raised on the reserve and returning there after a period working in the city as a book-keeper. Her attempts to foster improvement on the reserve are greeted angrily by the reserve manager, who attempts to have Nerida and her family tried for treason; ultimately, Nerida incites a successful walkout.

'Lo-Arna' (set in the 1980s) focuses on 18-year-old Ann Cutler's discovery that she is not of French Polynesian descent as she believed, but actually the biological daughter of her adoptive father and Alice Wilson, an Indigenous Australian woman from a nearby town, prompting her to reconsider her relationship with her adoptive parents and with her own identity.

Moran notes of the series as a whole that 'Although each of the four episodes of Women of the Sun is self-contained, nevertheless, taken together the episodes powerfully suggest what 200 years of white contact has done to Aboriginal society'.

1 form y separately published work icon Third Person Plural James Ricketson , ( dir. James Ricketson ) Australia : Abraxas Films , 1978 7939659 1978 single work film/TV

'Easy-going Terry (George Shevtsov) invites three friends on a weekend boating trip. Mark (Bryan Brown) is a biologist who studies ants. Danny (Linden Wilkinson) is making a documentary about senior citizens. Beth (Margaret Cameron) has an open relationship with husband Toby (David Cameron), who stays home to mind their young son, Joachim (Joachim McLean). During the trip Mark and Danny form a tentative relationship. Beth falls in love with Terry and wants to stay with him, but Terry does not want a live-in relationship.'

Source: Australian Screen (http://aso.gov.au/titles/features/third-person-plural/notes/). (Sighted: 16/10/2014)

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