Cirrus@Austlit

'Rosie Waterland was twenty-one, couch surfing, and working at a cinema when she learned she was pregnant. A hot flush, then a wave of nausea, hit her on the toilet. ‘It was the kind of nausea that takes away any sense of dignity that a person has,’ she writes. She stripped off, lay down on the bathroom floor, and prayed for the feeling to pass.'  (Introduction)

'One night late in 2017, I knelt on a coral cay on the Great Barrier Reef, watching a green turtle lay eggs. It was 2 am. The moon was high, the sea flickered silver. A few gulls and black noddies called from casuarina trees; otherwise, the beach was quiet.' (Publication abstract)

'In 1971, Australian filmmaker Joan Long wrote the script for a film about gentrification in the Sydney suburb of Paddington. At a screening in London, it was introduced by director Peter Weir. When asked who the scriptwriter was, Weir replied that she was a housewife, according to a friend of Long’s. Around this time, director Gillian Armstrong applied for a job at the ABC, only to be told that they didn’t interview women for jobs in camera, sound, or editing; she was asked to send in details of her typing speed.'  (Introduction)