Cirrus@Austlit

'The fifty years spanning the last quarter of the nineteenth century to the first quarter of the twentieth century saw literary studies established as an academic discipline within humanities divisions. These commonly also housed history, philosophy, classical and modern languages, and linguistics. The new discipline of English certainly engaged in fractious turf wars with each of these adjacent departments, but the idea of the humanities as literary studies’ natural home was rarely questioned.

'This paper ponders what insights and intellectual dispositions literary studies missed by being placed at institutional remove from the social sciences, also coalescing intellectually during this period. Literary studies’ humanities base predisposed it to valorise specific texts over their common print medium; to focus on rarefied aesthetic evaluation rather than consider the economics of book production, distribution, and consumption; and to construct retrospective canons of emblematic works rather than to attend to contemporary literary developments. In foregrounding these in-built assumptions long naturalized by literary studies’ academic environment, this paper engages in speculative thinking, imagining disciplinary 'roads not taken'.

'Granted, literary sociology has long existed as a marginal activity within English departments, imported from French social history, spurred by Marxist literary criticism and, in particular, prompted by book history’s reconceptualisation of bibliography as ‘the sociology of texts’ (McKenzie). Yet there are still other models for blending humanities and social science approaches, specifically the disciplines of media, communication, and cultural studies. This newer, hybrid discipline has thrived for some decades at the borderlands of humanities and social sciences but literary studies has had surprisingly fitful and uneven traffic with it. The present era of digital humanities, in which traditionally humanistic disciplines are reconsidering their relationship to print culture and to each other, presents an optimal time to reassess how past institutional structures formed the mental horizon of English and – equally – how alternative settings might facilitate new intellectual schemas.' (Publication abstract)

'Reports of the book's death have been greatly exaggerated. Books are flourishing in the Internet era-widely discussed and reviewed in online readers' forums and publicized through book trailers and author blog tours. But over the past twenty-five years, digital media platforms have undeniably transformed book culture. Since Amazon's founding in 1994, the whole way in which books are created, marketed, publicized, sold, reviewed, showcased, consumed, and commented upon has changed dramatically. The digital literary sphere is no mere appendage to the world of print-it is where literary reputations are made, movements are born, and readers passionately engage with their favorite works and authors.

'In The Digital Literary Sphere, Simone Murray considers the contemporary book world from multiple viewpoints. By examining reader engagement with the online personas of Margaret Atwood, John Green, Gary Shteyngart, David Foster Wallace, Karl Ove Knausgaard, and even Jonathan Franzen, among others, Murray reveals the dynamic interrelationship of print and digital technologies.

'Drawing on approaches from literary studies, media and cultural studies, book history, cultural policy, and the digital humanities, this book asks: What is the significance of authors communicating directly to readers via social media? How does digital media reframe the "live" author-reader encounter? And does the growing army of reader-reviewers signal an overdue democratizing of literary culture or the atomizing of cultural authority? In exploring these questions, The Digital Literary Sphere takes stock of epochal changes in the book industry while probing books' and digital media's complex contemporary coexistence.'  (Publication summary)

 (Publication abstract)