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Image courtesy of The Conversation.
Victoria L. Grieves Victoria L. Grieves i(A104664 works by) (a.k.a. Vicki Grieves)
Gender: Female
Heritage: Aboriginal ; Worimi / Gadang / Kattang
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Works By

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1 A New Sovereign Republic Victoria L. Grieves , 2018 single work essay
— Appears in: Griffith Review , no. 60 2018; (p. 82-95)

'Aboriginal Australians are a colonised people without a just and proper settlement having been negotiated over the last two hundred and forty years. This is indisputable. What has been at issue is the way in which Aboriginal people can achieve sovereignty, and the modern Australian democracy can decolonise. First we must take stock of the current situation in order to make meaningful steps forward.'  (Introduction)

1 The Plough as Settler Colonial Cultural Icon : Voices from the Other Side of the Blade Victoria L. Grieves , 2017 single work criticism
— Appears in: Ecological Entanglements in the Anthropocene 2017; (p. 73-90)
1 Western Sydney Meets the City in Nakkiah Lui’s Kill the Messenger Victoria L. Grieves , 2015 single work essay
— Appears in: The Conversation , 24 February 2015;
'Last week I went to the theatre. Unusual? No. But I say this because this event was real theatre in a way that I have not experienced for a long time and that will stay with me. A friend invited me to the opening of a play, Kill the Messenger, at Sydney’s Belvoir Theatre in which the playwright, Nakkiah Lui, also plays herself. Kill The Messenger includes one act in which the playwright/actor enters into dialogue with another character about how she should portray his fate. It proved to be theatre at its best.' (Introduction)
1 Vale Faith Bandler : Anti-racist Intellectual and Activist Victoria L. Grieves , 2015 single work obituary (for Faith Bandler )
— Appears in: The Conversation , 16 February 2015;
'Mrs Faith Bandler has died. We mourn our loss and honour her life. Her death on Friday marks the end of an era. At the age of 96 years, she outlived all the other black political activists of her generation in Australia. Her life was remarkable for a woman of colour in this country during this last century.' (Introduction)
1 Ngarranga Barrangang : Self and History, a Contemporary Aboriginal Journey Victoria L. Grieves , 2014 single work essay
— Appears in: Ngapartji Ngapartji, in Turn, in Turn : Ego-histoire, Europe and Indigenous Australia 2014; (p. 25-39)

'Sometimes I think I was born an historian. I was certainly a child who asked many, many questions. This was often a burden and an embarrassment to my mixed-race mother, who could be identified as Aboriginal in some contexts, and who was anxious to fly under the radar in conformist and settled rural New South Wales of the 1950s and 1960s.' (Introduction)

1 Patrick White, “Belltrees” and the ‘Station Complex’ : Some Reflections Victoria L. Grieves , 2014 single work criticism
— Appears in: Patrick White Centenary : The Legacy of a Prodigal Son 2014; (p. 429-442)

'In this centenary year of Patrick White’s birth I have found myself reflecting on his relationship to Australian history and in so doing reflecting also on the nature of history itself. History changes with the changing nature of the societies that produce ideas about the past. What is important about Patrick White is that, while seeking to reflect Australia’s social, intellectual and cultural life back on itself as a novelist and playwright, he was deeply engaged with issues in Australian history, as they existed at that time. In this regard, he understood the difficulty of coming to terms with the most unsavoury aspects of our past and advised Australians:

The flow of history is what we have to face and adapt ourselves to. The adjustments we may have to make may be pretty agonising. But they will have to be made (Brennan and Flynn 1989: 85).

(Introduction)

1 [Review] One Life, Two Stories : Nancy De Vries' Journey Home Victoria L. Grieves , 2013 single work review
— Appears in: The Journal of the European Association for Studies of Australia , vol. 4 no. 1-2 2013; (p. 197-200)

— Review of One Life, Two Stories: Nancy de Vries' Journey Home Nancy De Vries , 2012 single work autobiography
Grieves 'recommends this book as an important development to the ways in which stories of the Stolen Generations continue to contribute to ongoing ideas of the importance of particular freedom for all people.'
1 'All My Relos' : Aunty June Barker Speaks of her Family History Paulette Whitton , Victoria L. Grieves , 2013 single work essay criticism
— Appears in: The Journal of the European Association for Studies of Australia , vol. 4 no. 1-2 2013; (p. 117-129)

'The interviewing of Aboriginal people about their family history, that is, about their relatives, on radio proved to be an innovation that provides a “snapshot” of a person’s history and identity. Interviews such as these can become more precious over time. This is the case with Aunty June Barker’s interview on BlakChat a program on Koori Radio and the Gadigal Information Service in Sydney, that is reproduced below. The exact reproduction of this interview in text provides an opportunity to explore Aboriginal English expression and sentiment, proof of cultural continuity amongst the Aboriginal people of southeast Australia,as well as hearing a unique and important story of one family’s history.'

Source: Abstract.

1 My Grandfather’s Family Secrets : Unravelling Layers of Race and Belonging in an Australian Mixed-race Family Kim Burke , Victoria L. Grieves , 2013 single work essay biography
— Appears in: The Journal of the European Association for Studies of Australia , vol. 4 no. 1-2 2013; (p. 92-102)
By tracing aspects of the life story of Kim Burke's grandfather Alexander Nickel Lewis and his father Matthew Lewis, this article aims to unravel the secrets kept in order to blur any reference to the true racial identity of family members.' (Source: abstract)
1 Introduction. We Are Survivors : The Persistence of Life and Hope in Aboriginal Marriage, Family and Kinship Practices Victoria L. Grieves , 2013 single work essay
— Appears in: The Journal of the European Association for Studies of Australia , vol. 4 no. 1-2 2013; (p. 1-5)
'This selection of writing about the Aboriginal family opens with We Are Survivors, the play by Tasmanian Aboriginal poet and playwriting Puralia Jim Everett... It is a charming and illuminating vignette of Tasmanian Aboriginal family dynamics that are modern as well as being inextricably a part of cultural continuity.' (Source: Introduction)
1 [Review] The Aboriginal Male in the Englightenment World Victoria L. Grieves , 2013 single work review
— Appears in: Aboriginal History , December vol. 37 no. 2013; (p. 137-138)

— Review of The Aboriginal Male in the Enlightenment World Shino Konishi , 2012 single work criticism
1 y separately published work icon Giving an Account of Ourselves : Aboriginal and Torres Strait Islander Philosophy, Knowledge and View Seminar Series 1 2009 Canberra : Australian Institute of Aboriginal and Torres Strait Islander Studies , 2009 Z1600226 2009 anthology life story oral history Giving an Account of Ourselves is an Aboriginal and Torres Strait Islander initiative facilitated by AIATSIS for Indigenous speakers from around Australia to give talks on a number of the contemporary issues concerning Indigenous Australians.
1 [Review Essay] : Orphaned by The Colour of My Skin: A Stolen Generation Story Victoria L. Grieves , 2009 single work review
— Appears in: Australian Aboriginal Studies , no. 1 2009; (p. 106)

— Review of Orphaned by the Colour of My Skin : A Stolen Generation Story Mary R. Terszak , 2007 single work autobiography

'This is a book that surprised me in the way that it gripped my attention. After some decades of Aboriginal biography and autobiography, many of which are concerned with removal fromfamily, one could be excused for thinking that there is not much that has not already been told.While every individual’s story is important and deeply personal to them and their kin, this book isinnovative and I venture to say groundbreaking in terms of the methodological approach of thewriter Mary Terszak. It is also very good story telling by an engaging and attractive personality.' (Introduction)

1 Opening the Dialogue for Indigenous Knowledges Developments in Australia Victoria L. Grieves , 2009 single work criticism
— Appears in: Cultural Studies Review , September vol. 15 no. 2 2009; (p. 199-203)
Review essay of Opening the Dialogue for Indigenous Knowledges Developments in Australia
1 y separately published work icon Aboriginal Spirituality : Aboriginal Philosophy, the Basis of Aboriginal Social and Emotional Wellbeing Victoria L. Grieves , Casuarina : Cooperative Research Centre for Aboriginal Health , 2009 10737040 2009 single work criticism

'This discussion paper argues for the centrality of Aboriginal Spirituality in the practice of social and emotional wellbeing and for applications in all areas of Aboriginal development. Although often mentioned in the literature on Aboriginal health and social and emotional wellbeing, Spirituality has been in danger of becoming one of the undefined terms—like wellbeing, community, identity —that are used in various contexts and with various meanings attached, and in ways that obscure the reality of Indigenous Australian knowledges, philosophies and practices. In common with terms such as the Dreaming , it has lost significant meaning when translated into English. This discussion paper importantly defines Aboriginal Spirituality by privileging the voices of Aboriginal people themselves and those of well-respected observers of Aboriginal culture. It demonstrates how those who are well exemplify Spirituality in everyday life and cultural expression. Having commonalities with internationalIndigenous groups, it is also deeply appreciated by non-Aboriginal people who understand and value the different ontologies (understandings of what it means to be ), epistemologies (as ways of knowing ) and axiologies (the bases of values and ethics) that Aboriginal philosophy embodies, as potential value to all peoples.' (Publication introduction)

1 Review of Henry Reynolds, Nowhere People Victoria L. Grieves , 2008 single work review essay
— Appears in: Journal of Australian Colonial History , vol. 10 no. 1 2008; (p. 191-197)
'There are some difficulties associated with reviewing this book. It is somewhat perplexing; it purports to have a bearing on Reynolds' own family history, a history that is, to some extent, covered in the prologue and the postscript. It also promises to show how international race theory 'shaped Australia's identity' but the connection in this work is not entirely convincing. The prologue is an introduction to Reynolds' own family history and putative descent from Aboriginal ancestry. Nowhere people is a new weapon in the unremitting History Wars that threaten to diminish the standing of historical scholarship in Australia. Reynolds has entered into an ongoing debate about the nature of the colonial conquest of Australia and is consistently under attack from the opposite end of the political spectrum. ' (Introduction)
1 A Sign of the Crimes : Adam Hill Political Artist, Visionary and Critic of Australian Whiteness Victoria L. Grieves (interviewer), 2007 single work interview
— Appears in: Australian Humanities Review , August no. 42 2007;
'The exhibition "A SIGN OF THE CRIMES" that was held at the Mori Gallery in Sydney in May 2006 proved a splendid confrontation of Australian whiteness and the impact of continuing colonial oppression of Australia's Indigenous people. The Indigenous artist Adam Hill is an exemplar of the urban black: his early years in the outer western suburbs of Sydney led him to a developed political consciousness and deep understanding of the dynamics of Australian society around race, class and whiteness. This political and social consciousness is reflected in his art. I had a conversation with Adam Hill about the development of his indigenous identity, his life experiences, his art and the role of 'whiteness' within it.' (Publication introduction)
1 Indigenous Australians : Well-served by Current Public Policy? Some Reflections on the Indigenous History Wars Victoria L. Grieves , 2007 single work criticism
— Appears in: Australia : Who Cares? 2007; (p. 25-40)
'The 'history wars' debate in Australia has a strong subtext of conflict over the development of Commonwealth Government policy and programs to address Indigenous disadvantage. The election of the Whitlam Labor government (1972-1975) marked a watershed; the Commonwealth became involved in addressing the disadvantage that state governments had seemingly ignored. The policies were called policies of 'self-determination' for Australia's Indigenous people as they involved the direct funding of Aboriginal community controlled organisations. These policies are often opposed by sections of Australian society as being potentially divisive and unnecessary. The simplistic mantra of Pauline Hanson, Australians should be treated the same', encapsulates this point of view, and represents a thinly-disguised attack on the validity and integrity of Indigenous survivors of colonialism and also a denial of the role of history in contemporary life. In the light of this, it is. '
1 Windschuttle's Fabrication of Aboriginal History: A View from the Other Side Victoria L. Grieves , 2003 single work criticism
— Appears in: Labour History , November no. 85 2003; (p. 194-199)

'The responsibility attached to the writing of Indigenous Australians’ histories is immense: no other history has the potential to impact on the present and the future and excite contention and debate to such a high degree. For myself, I approach the task with some misgiving as the fallout can be resounding – my research interest,Indigenous family history with the reality of mixed race marriages and liaisons, is a potential minefield ... ' (Introduction)

1 An Other Australia Victoria L. Grieves , 2000 single work autobiography biography
— Appears in: Amida : The Asia Magazine , March vol. 6 no. 1 2000; (p. 15)
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