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y separately published work icon Westerly periodical issue   peer reviewed assertion
Issue Details: First known date: 2016... vol. 61 no. 1 2016 of Westerly est. 1956 Westerly
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Contents

* Contents derived from the , 2016 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Weather Patterns, Jimadilung, Edwin Lee Mulligan , single work prose (p. 10-11)
Sap Cloti"Tender! Horror!", Alison Whittaker , single work poetry (p. 12)
The Sapling Barricades of Trugernanner, Alison Whittaker , sequence poetry (p. 12-13)
The Grey Saltbushi"'Full-blooded?'", Alison Whittaker , single work poetry (p. 13)
Calling a Warning, Rachael Swain , Dalisa Pigram , single work essay
'This article introduces Marrugeku, an intercultural-Indigenous dance theatre company based in Broome, Western Australia, and discusses one of our recent dance theatre and video works : Gudirr Gudirr (2013)...' (14)
 (p. 14-26)
The Yield, Tara June Winch , single work short story (p. 27-38)
Introduction to Mulan, Kevin Brophy , single work essay (p. 39)
My Life in Mulan, Stevie Hill-Kopp Junior , single work autobiography (p. 40-41)
My First Game on Mulan Oval, Dermott Neach , single work autobiography (p. 42-44)
Bella Kelly, Cheryl Narkle , Caroline Narkle , Annette Davis , single work autobiography (p. 45-58)
Retrac(k)ing Country and (s)kin : Walking the Wave Hill Walk Off Track (and Other Sites of Cultural Contestation), Brenda Croft , single work essay (p. 76-82)
Writing from the Heart, Elfie Shiosaki , single work (p. 83-91)
Singing Back to the Archive, Clint Bracknell , single work (p. 92-104)
From the Earth Out : Word, Image, Sound, Object, Body, Country, Sandra R. Phillips , Alison Ravenscroft , single work criticism
'In this essay we speak to the significance of Indigenous story, and for textual practices that enable Indigenous story its distinctive and multiple enunciations. We approach these questions through a discussion of our work on a new digital Indigenous Story project, which aims to make its own contribution to the wider project of developing places for the publication of Indigenous story that are shaped by the standards and practices rather than by those of European-centred editing, publishing and critical practices. What follows are our first efforts to document the ways in which we are currently thinking about story and the ethics of textual production and publication. This aims to be an ethics that does not impose itself of contributors to the site but arises in a dynamic relation with these men's and women's textual practices as they themselves enquire into the nature of story and its generative processes.. In this way, the project is potentially one in which all its contributors are in fact participants who keep pushing the project along new lines.' (105)
 (p. 105-117)
Giveaway, Doris Eaton , Lekkie Hopkins , Ann Ingamells , single work autobiography (p. 118-125)
Past Tensei"We knew without words", Jannali Jones , single work poetry (p. 126)
My Dear Child, Melissa Lucashenko , single work short story (p. 127-128)
Wind Spirit : Nanna's Legacy, Cheryl Kickett , single work autobiography (p. 129-141)
Truth and Consequence, Mary Ann Bin-Sallik , single work autobiography (p. 142-150)
Naming Rights, Tom Stephens , single work prose
'Memories of some of the personal and family names from the Station and Mission times of the Kimberley and beyond.'
 (p. 151-157)
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