Cirrus@Austlit

'The city I grew up in was elastic and belonged to me and my friends as we stretched it through the nights. We knew its contours, and when something new arrived we were among the first to be a part of it. Everything was powder pink and bendy and shiny for us. We hadn’t had time to build a lasting memory around some fixture and then watch that time fall away from under us.

'A group of friends moves into a share house in Redfern. They are all on the cusp of thirty and big life changes, navigating insecure employment and housing, second-generation identity, online dating and social alienation—and one of them, our narrator, has just lost her father.

'How do you inhabit a space where the landscape is shifting around you, when your sense of self is unravelling? What meaning does time have in the midst of grief?

'Through emotionally rich vignettes, tinged with humour, Friends & Dark Shapes sketches the contours of contemporary life. It is a novel of love and loss, of constancy and change. Most of all, it is about looking for connection in an estranged world.' (Publication summary)

'This book is an extraordinarily powerful and evocative literary novel set in Iran in the period immediately after the Islamic Revolution in 1979. Using the lyrical magic realism style of classical Persian storytelling, Azar draws the reader deep into the heart of a family caught in the maelstrom of post-revolutionary chaos and brutality that sweeps across an ancient land and its people. 

'The Enlightenment of the Greengage Tree is really an embodiment of Iranian life in constant oscillation, struggle and play between four opposing poles: life and death; politics and religion. The sorrow residing in the depths of our joy is the product of a life between these four poles.' (Publication summary)

'The subject is very topical. No More Boats tackles the fear of refugees head on, portraying the anxieties of a man who was once a migrant himself, brought to breaking point by the Tampa crisis, when the nation itself is thrown into a xenophobic frame of mind.

'It is 2001. 438 refugees sit in a boat called Tampa off the shoreline of Australia while the TV and radio scream out that the country is being flooded, inundated, overrun by migrants. Antonio Martone, once a migrant himself, has been forced to retire, his wife has moved in with the woman next door, his daughter runs off with strange men, his deadbeat son is hiding in the garden smoking marijuana. Amidst his growing paranoia, the ghost of his dead friend shows up and commands him to paint ‘No More Boats’ in giant letters across his front yard. The Prime Minister of Australia keeps telling Antonio that we will decide who comes to this country and the circumstance in which they come, but Antonio’s not sure he wants to think about all those things that led him to get on a boat and come to Australia in the first place. A man and a nation unravel together.' (Publication summary)

'Two immigrants, Salimah and Sayuri, navigate isolation, a new language, and devastating loss on their way to a lifelong friendship. Far from her native country of Nigeria and now living as a single mother of two, Salimah works the night shift at a supermarket in small-town Australia. She is shy and barely speaks English, but pushes herself to sign up for an ESL class offered at the local university.

'At the group’s first meeting, Salimah meets Sayuri, who has come to Australia from Japan with her husband, a resident research associate at the local college. Sayuri has put her own education on hold to take care of her infant daughter and she is plagued by worries about financial instabilities and her general precariousness.

'When Sayuri’s daughter dies in daycare and one of Salimah’s boys leaves to live with his father, the two women look to one another for comfort and sustenance, as they slowly master their new language.

'Written with great warmth, Farewell, My Orange offers optimism in the face of adversity. In the stories of Salimah and Sayuri, readers will find a touching portrait of our need for others and the certainty of change.'

Source: Publisher's blurb.

'Sitting in a New York park, an old man holds a book and tries to accept that his contribution to the future is over. Instead, he remembers a youthful yearning for open horizons, for Australia, a yearning he now knows inspired his life as a writer. Instinctively he picks up his pen and starts at the beginning . . .

'At twenty-one years, Robert Croft leaves his broken dreams in Far North Queensland, finally stopping in Melbourne almost destitute. It's there he begins to understand how books and writing might be the saving of him. They will be how he leaves his mark on the world. He also begins to understand how many obstacles there will be to thwart his ambition. When Robert is introduced to Lena Soren, beautiful, rich and educated, his life takes a very different path. But in the intimacy of their connection lies an unknowability that both torments and tantalises as Robert and Lena long for something that neither can provide for the other. In a rich blend of thoughtful and beautifully observed writing, the lives of a husband and wife are laid bare in their passionate struggle to engage with their individual creativity.'

source: Publisher's blurb.

'A woman's heart contains all things. Her heart is tender and loving, but it has other elements. It contains fire and intrigue and mighty storms. Shipwreck and all that has ever happened in the world. Murder, if need be...'

'1673. Desperate to save herself and her only surviving child Nicolas from an outbreak of plague, Charlotte Picot flees her tiny village in the French countryside. But when Nicolas is abducted by a troop of slavers, Charlotte resorts to witchcraft and summons assistance in the shape of a malevolent man. She and her companion travel to Paris where they become further entwined in the underground of sorcerers and poisoners - and where each is forced to reassess their ideas of good and evil. Before Charlotte is finished she will wander hell's halls, trade with a witch and accept a demon's fealty. Meanwhile, a notorious criminal is unexpectedly released from the prison galleys where he has served a brutal sentence for sacrilege...' (Synopsis)

'Summer 1874, and Launceston teeters on the brink of anarchy. After abandoning his wife and child many years ago, the Black War veteran Thomas Toosey must return to the city to search for William, his now motherless twelve-year-old son. He travels through the island's northern districts during a time of impossible hardship - hardship that has left its mark on him too. Arriving in Launceston, however, Toosey discovers a town in chaos. He is desperate to find his son amid the looting and destruction, but at every turn he is confronted by the Irish transportee Fitheal Flynn and his companion, the hooded man, to whom Toosey owes a debt that he must repay.

'To Name Those Lost is the story of a father's journey. Wilson has an eye for the dirt, the hardness, the sheer dog-eat-doggedness of the lives of the poor. Human nature is revealed in all its horror and beauty as Thomas Toosey struggles with the good and the vile in himself and learns what he holds important.' (Publication summary)

'Nick Alston, a Los Angeles private investigator, is hired to find the kidnapped son of America's richest and most hated man. Hastings, a mob hitman in search of redemption, is also on the trail. But both men soon become ensnared by a sinister cabal that spreads from the White House all the way to Dealey Plaza. Decades later in Dallas, Alston's son stumbles across evidence from JFK conspiracy buffs that just might link his father to the shot heard round the world.'

Source: Publisher's blurb.

'She hears her own thick voice deep inside her ears when she says, 'I need to know where I am.' The man stands there, tall and narrow, hand still on the doorknob, surprised. He says, almost in sympathy, 'Oh, sweetie. You need to know what you are.'

'Two women awaken from a drugged sleep to find themselves imprisoned in a broken-down property in the middle of a desert. Strangers to each other, they have no idea where they are or how they came to be there with eight other girls, forced to wear strange uniforms, their heads shaved, guarded by two inept yet vicious armed jailers and a 'nurse'. The girls all have something in common, but what is it? What crime has brought them here from the city? Who is the mysterious security company responsible for this desolate place with its brutal rules, its total isolation from the contemporary world? Doing hard labour under a sweltering sun, the prisoners soon learn what links them: in each girl's past is a sexual scandal with a powerful man. They pray for rescue - but when the food starts running out it becomes clear that the jailers have also become the jailed. The girls can only rescue themselves.

'The Natural Way of Things is a gripping, starkly imaginative exploration of contemporary misogyny and corporate control, and of what it means to hunt and be hunted. Most of all, it is the story of two friends, their sisterly love and courage.

'With extraordinary echoes of The Handmaid's Tale and Lord of the Flies, The Natural Way of Things is a compulsively readable, scarifying and deeply moving contemporary novel. It confirms Charlotte Wood's position as one of our most thoughtful, provocative and fearless truth-tellers, as she unflinchingly reveals us and our world to ourselves.' (Publication summary)

'This is a story of resilience, the irrepressible, enduring nature of love, and the fragility of life. From one of Australia's most loved novelists.

'He felt like a pirate landing on an island of little maimed animals. A great wave had swept them up and dumped them here. All of them, like him, stranded, wanting to go home.

'It is 1954 and thirteen-year-old Frank Gold, refugee from wartime Hungary, is learning to walk again after contracting polio in Australia. At The Golden Age Children's Polio Convalescent Hospital in Perth, he sees Elsa, a fellow-patient, and they form a forbidden, passionate bond.

'The Golden Age becomes the little world that reflects the larger one, where everything occurs, love and desire, music, death, and poetry. Where children must learn that they are alone, even within their families.

'Written in Joan London's customary clear-eyed prose, The Golden Age evokes a time past and a yearning for deep connection. It is a rare and precious gem of a book from one of Australia's finest novelists. ' (Publication summary)

'John Dorn is a private investigator. Just like his father used to be. It says "private inquiry agent" in John's yellow pages ad because that's what his old man called himself, back before his business folded, his wife left him and he drank himself to death.

'But John's not going to end up like his father. He doesn't have a wife, or much business. He doesn't really drink, either. Not yet.

'In each of these ten delicious stories Zane Lovitt presents an intriguing investigation filled with humour and complex, beautifully observed characters. At their centre is John Dorn, solving not so much crimes as funny human puzzles; but the crimes, and the criminals, are forever lurking nearby, taunting him from the city's cold underworld. It's his job to unravel the mystery, or right the wrong, or just do what the client has hired him to do. Somehow, though, there is a misstep at every turn, and John takes another small stumble towards his moment of personal truth. His midnight promise. Perhaps even his redemption.' (From the publisher's website.)

'In the remote outback of Western Australia during World War II, English anthropologist Nicholas Keene and his wife, Stella, raise a lonely child, Perdita. Her upbringing is far from ordinary: in a shack in the wilderness, with a distant father burying himself in books and an unstable mother whose knowledge of Shakespeare forms the backbone of the girl's limited education.

'Emotionally adrift, Perdita becomes friends with a deaf and mute boy, Billy, and an Aboriginal girl, Mary. Perdita and Mary come to call one another sister and to share a very special bond. They are content with life in this remote corner of the globe, until a terrible event lays waste to their lives.' (Publisher's blurb)