'She knew this.
That philematology is the science of kissing.
That Samuel Langhorne Clemens is better known as Mark Twain.
That, originally, gold comes from the stars.
'Madeleine Tully lives in Cambridge, England, the World - a city of spires, Isaac Newton and Auntie's Tea Shop.
'Elliot Baranski lives in Bonfire, the Farms, the Kingdom of Cello - where seasons roam, the Butterfly Child sleeps in a glass jar, and bells warn of attacks from dangerous Colours.
'They are worlds apart - until a crack opens up between them; a corner of white - the slim seam of a letter.
'Elliot begins to write to Madeleine, the Girl-in-the-World - a most dangerous thing to do for suspected cracks must be reported and closed.
'But Elliot's father has disappeared and Madeleine's mother is sick. Can a stranger from another world help to unravel the mysteries in your own?
'Can Madeleine and Elliot find the missing pieces of themselves before it is too late?
'A mesmerising story of two worlds; the cracks between them, the science that binds them and the colours that infuse them.' (Source: Publisher's blurb)
'On remote Rollrock Island, the sea-witch Misskaella discovers she can draw a girl from the heart of a seal. So, for a price, any man might buy himself a bride; an irresistibly enchanting sea-wife. But what cost will be borne by the people of Rollrock - the men, the women, the children - once Misskaella sets her heart on doing such a thing?'
Source: Publisher's website.
'Michael’s older brother dies at the beginning of the summer he turns 15, but as its title suggests The Incredible Here and Now is a tale of wonder, not of tragedy. Presented as a series of vignettes, in the tradition of Sandra Cisneros’ Young Adult classic The House on Mango Street, it tells of Michael’s coming of age in a year which brings him grief and romance; and of the place he lives in Western Sydney where ‘those who don’t know any better drive through the neighbourhood and lock their car doors’, and those who do, flourish in its mix of cultures. Through his perceptions, the reader becomes familiar with Michael’s community and its surroundings, the unsettled life of his family, the girl he meets at the local pool, the friends that gather in the McDonalds parking lot at night, the white Pontiac Trans Am that lights up his life like a magical talisman. Suitable for young readers from 14 years of age.' (Publisher's blurb)
Shay's Story (Uglies), Westerfield
Keesha's House, Frost
The Hunger Games, Collins
Taught by professional writers of young adult (YA) fiction, this unit focuses on the writing of fiction for young adult readers in the genres of novel and short story; and critical and analytical discussion and writing about the YA genre. It is suitable for students with some experience in narrative writing, who want to develop their knowledge and practice of YA fiction. Students devise their own writing projects and are encouraged to write across a range of YA genres that might include for instance, comedy, speculative fiction, or verse forms. Students read a range of international and Australian contemporary YA fiction, including work that experiments with the YA form, and which explore new developments in publishing such as e-books. Assessment is based on the student's creative work and reflection, and critical writing about the set texts.