Evelyn Araluen Evelyn Araluen i(9487761 works by) (a.k.a. Evelyn Araluen Corr)
Gender: Female
Heritage: Aboriginal ; Aboriginal Bundjalung ; Aboriginal Wiradjuri
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 How We Have to Live Evelyn Araluen , 2024 single work essay
— Appears in: Shapeshifting : First Nations Lyric Nonfiction 2024;
1 y separately published work icon Winnie Dunn in Conversation Evelyn Araluen (interviewer), 2024 28214508 2024 single work podcast interview

'In this episode, a conversation with Winnie Dunn – a Tongan-Australian writer, editor, the General Manager of Sweatshop Literacy Movement, and now author of the novel Dirt Poor Islanders.

'Dunn’s book is a potent, mesmerising novel that opens our eyes to the brutal fractures navigated when growing up between two cultures and the importance of understanding all the many pieces of yourself.

'Winnie Dunn was joined in conversation at Readings Carlton by Evelyn Araluen, poet and literary editor. Araluen’s first book, Dropbear, won the 2022 Stella Prize.'  (Introduction)

1 Inscription and the Settler Colony : Theorising Aboriginal Textuality Today Evelyn Araluen , 2024 single work criticism
— Appears in: Australian Literary Studies , 25 May vol. 39 no. 1 2024;

'In recent years, the study of Aboriginal literatures has moved from a marginal interest of Australian literature to a site of global inquiry. Due to limited Aboriginal representation in the formal institutions of literary studies, this shift has arguably not coincided with sufficient reciprocal interpretive mechanisms capable of situating the Aboriginal text in a dynamic relationship with Aboriginal culture. As such, many of these discourses have reconstituted culturally inappropriate anthropological mechanisms in their engagements with contemporary Aboriginal literatures (Araluen, ‘Shame’). The unstable entanglements of power, sovereignty and exclusion that frame the Australian conditions of settler coloniality are manifest in the institutions and disciplines that teach, publish, and interpret Aboriginal literature. In the space of Indigenous research discourse and practice, Ngati Awa and Ngati Porou academic Linda Tuhiwai Smith’s pioneering work on decolonial Indigenous methods and practices, Decolonising Methodologies: Research and Indigenous Peoples (1999), demonstrates that the concept of the discipline is not only an organising system of knowledge but also a system of organising people and bodies. She argues that the intellectual productions of nineteenth-century imperialism, including notions of civilisation and the Other, are bound to and assert geographic and economic forces of appropriation, expropriation and incorporation (69). These knowledges not only form academic disciplines but have also been used to discipline the colonised through exclusion, marginalisation and denial.'  (Publication abstract)

1 A Water Suite Evelyn Araluen , Anahera Gildea , 2024 single work poetry
— Appears in: Woven : First Nations Poetic Conversations from the Fair Trade Project 2024;
1 Mabo, Mob, and the Novel Evelyn Araluen , 2023 single work criticism
— Appears in: The Cambridge Companion to the Australian Novel 2023; (p. 83-95)

'This chapter contests the prevailing interpretation of the post-Mabo turn as a decisive new era in Australian cultural history. While the Mabo High Court decision of 1992 was an important milestone in struggles for Indigenous land rights, the insistence on this date as a literary periodization neglects the continuities in settler culture that still structure settler fiction in Australia. Alternatively, recent First Nations fiction suggests possibilities within and outside dominant paradigms of legality.' (Publication abstract)

1 Moving Day i "The roof has new cracks for the rain.", Evelyn Araluen , 2022 single work poetry
— Appears in: Australian Poetry Journal , vol. 12 no. 1 2022; (p. 142-143)
1 On Not Writing Poetry i "On reading Bonney, on reading Faulkner, on reading Fanon, on reading Mieville", Evelyn Araluen , 2022 single work poetry
— Appears in: Overland [Online] , November 2022;
1 See You Tonight i "We’re losing light now", Evelyn Araluen , 2022 single work poetry
— Appears in: The Weekend Australian , 4 June 2022; (p. 20)
1 We’re Not Publishing Today Evelyn Araluen , 2022 single work essay
— Appears in: Overland [Online] , January 2022;

'I write in honour and respect for the 700+ First Nations language groups of so-called-Australia, for the ancestors who have cared for this land since time immemorial, and for the custodians who continue to protect the sovereignty of their lands and waters. I write in honour and respect for my ancestors, family and countrypeople.'  (Introduction)

1 Breath i "J plays the radio in the bathroom, so when the news reports the next", Evelyn Araluen , 2021 single work poetry
— Appears in: Best of Australian Poems 2021 2021; (p. 34)
1 The Last Bush Ballad i "Up and out and over the gum gully the bubs and babes are all about", Evelyn Araluen , 2021 single work poetry
— Appears in: Groundswell: The Overland Judith Wright Poetry Prize for New and Emerging Artists 2021; (p. 22-23)
1 Suburb Paratext i "lately i've been footnoting social space with con and para text", Evelyn Araluen , 2021 single work poetry
— Appears in: Groundswell: The Overland Judith Wright Poetry Prize for New and Emerging Artists 2021; (p. 19)
1 Decolonial Research Methodology After the Bogong Moth i "Supplant. Unsettle. Bury. Return.", Evelyn Araluen , 2021 single work poetry
— Appears in: Cordite Poetry Review , 1 May no. 101 2021;
1 Fern Up Your Own Gully i "Deep in the heart of the forest there’s a", Evelyn Araluen , 2021 single work poetry
— Appears in: Australian Poetry Journal , vol. 10 no. 2 2021; (p. 9-10)
1 Shelf Reflection : Evelyn Araluen Evelyn Araluen , 2021 single work column
— Appears in: Kill Your Darlings [Online] , March 2021;
2 23 y separately published work icon Dropbear Evelyn Araluen , St Lucia : University of Queensland Press , 2021 20534089 2021 selected work poetry essay

'I told you this was a thirst so great it could carve rivers.

'This fierce debut from award-winning writer Evelyn Araluen confronts the tropes and iconography of an unreconciled nation with biting satire and lyrical fury. Dropbear interrogates the complexities of colonial and personal history with an alternately playful, tender and mournful intertextual voice, deftly navigating the responsibilities that gather from sovereign country, the spectres of memory and the debris of settler-coloniality. This innovative mix of poetry and essay offers an eloquent witness to the entangled present, an uncompromising provocation of history, and an embattled but redemptive hope for a decolonial future.' (Publication summary)

1 Pyro i "THE SOLAR PANELS THAT SUNK US INTO DEBT HAVE", Evelyn Araluen , 2020 single work poetry
— Appears in: Australian Poetry Journal , vol. 10 no. 1 2020; (p. 125)
1 FOR POWER FOR PRAYER FOR PROMISE FOR PEACE i "IN THE ABSENCE OF POWER, SAY WE WILL NOT FORGET //", Evelyn Araluen , 2020 single work poetry
— Appears in: Australian Poetry Journal , vol. 10 no. 1 2020; (p. 97)
1 y separately published work icon Overland Health no. 239 Winter Jonathan Dunk (editor), Evelyn Araluen (editor), 2020 20735290 2020 periodical issue

'Health, wellness, well-being, words which resonate with the most basic social questions of how we are toward one another. This year our answers have been drastically rearranged – we care for one another with distance, and forego almost all the habits of flourishing or eudaimonia. Not that it’s ever been simple: our essayists for Overland 239 approach these problems from a wide variety of intersecting experiences and disciplines.' (Publication summary)

1 Too Little, Too Much Evelyn Araluen , 2020 single work essay
— Appears in: Fire Front : First Nations Poetry and Power Today 2020; (p. 39-45) Meanjin , Spring vol. 79 no. 3 2020;
'Aboriginal poetics have always existed. Or, at least, they fulfil every sense of always that we have access to: yaburuhma, the kind of eternal that spirals out a constant across time and space; forever, the kind of promise we make to spread between every time. Since the land, since the land made us shape, since the land gave us voice, since we had learned enough to inscribe it back, since we took up tools tossed here by the uninvited. We sing it back as it is sung back to us in every bird song, every branch ache, every wave heave. The form has changed, as have we, but the songlines still hum in the soil while we read and write upon it.' (Introduction)
 
X