Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.
'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.
'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)
'Hours after rejecting the Corrowa People's native title claim on Brisbane's Meston Park, Justice Bruce Brosnan is brutally murdered in his home. Days later, lawyers against the claim are also found dead.
Aboriginal people were once prohibited from entering Brisbane's city limits at night, and Meston Park stood on the boundary. The Corrowa's matriarch, Ethel Cobb, is convinced the murders are the work of an ancient assassin who has returned to destroy the boundary, but Aboriginal lawyer Miranda Eversely isn't so sure.
When the Premier is kidnapped, the pressure to find the killer intensifies ... While the investigation forces Detective Sergeant Jason Matthews to confront his buried heritage, Miranda battles a sense of personal failure at the Corrowa's defeat. How far will it take her to the edge of self-destruction?' Source: www.uqp.com.au/ (Sighted 25/03/2011).
The exploration and settlement of new lands inspire exciting and moving narratives that develop into a national literature, cross-culturally spanning indigenous and settler writing. Students interrogate and research the concept of and generation of ideas in Australian fiction and the striking elements that define it, both from the perspective of the settlers and from the indigenous people. A range of long and short fiction is examined from the nineteenth-century writers who were predominantly Anglo-Celtic through increasing numbers of writers from Europe and indigenous cultures in the twentieth century to twenty-first century writers from a multitude of lands, including the African and Indian continents as well as the Asian region. Students test a range of critical and theoretical approaches in their own cross-cultural and international analyses of Australian fiction, since our students, too, bring to both the reading and writing of Australian fiction the fresh eyes of new generations of indigenes, settlers and migrants.