Texts

y separately published work icon Wake in Fright Kenneth Cook , London : Michael Joseph , 1961 Z560904 1961 single work novel (taught in 9 units)

Wake in Fright is the harrowing story of a young schoolteacher, John Grant, who leaves his isolated outback school to go on holidays to Sydney (and civilization). Things start to go horribly wrong, however, when stays overnight in a rough outback mining town called Bundanyabba. After a drink fuelled night, in which he loses all his momey, Grant finds himself both broke and stuck in the town with means of escape. He subsequently descends into a cycle of hangovers, fumbling sexual encounters, and increasing self-loathing as he becomes more and more immersed in the grotesque and surreal nightmare that is 'the Yabba.'

y separately published work icon The Year of Living Dangerously Christopher Koch , West Melbourne : Nelson , 1978 Z493822 1978 single work novel (taught in 2 units)

'The charismatic god-king Sukarno has brought Indonesia to the edge of chaos - to an abortive revolution that will leave half a million dead. For the Western correspondents here, this gathering apocalypse is their story and their drug, while the sufferings of the Indonesian people are scarcely real: a shadow play. Working at the eye of the storm are television correspondent Guy Hamilton and his eccentric cameraman Billy Kwan. In Kwan's secret fantasy life, both Sukarno and Hamilton are heroes. But his heroes betray him, and Billy is driven to desperate action. As the Indonesian shadow play erupts into terrible reality, a complex personal tragedy of love, obsession and betrayal comes to its climax.'

Source: Publisher's blurb.

Cloud Atlas, Mitchell

The Tempest, Shakespeare

Tess of the d'Urbervilles, Hardy

Description

This subject focuses on a number of literary works and their film adaptations. It explores the relationships between the written word and the visual image, some of the strategic decisions that film-makers must make in adapting a written form for the screen, and some of the strengths and weaknesses of each medium. It places the works in their historical and social contexts, contrasts the production of meaning in books and films, and critically explores the ideological implications of narrative form and focus in each medium.

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