Cirrus@Austlit

'The emu is an iconic Australian bird of significance to all Australians, but especially so to Indigenous Australians who have had a special relationship with this curious animal for thousands of years. In this bilingual, highly illustrated, full-colour publication Something about emus reveals valuable ecological knowledge in a collection of essays by senior members of the Bininj Gunwok language group from Kakadu National Park and Western Arnhem Land. Something about emus goes beyond biology and ecology to encompass other culturally important domains such as the visual and verbal arts, music, ritual and the relationships between humans and animals. Whilst Indigenous ecological knowledge is increasingly acknowledged as a valuable part of Australia’s cultural heritage, such knowledge is most richly expressed in Australia’s Indigenous languages which have largely remained inaccessible to those outside their communities.' (Publication summary)

'Morrdjdjanjno is the name of a song genre from the Arnhem Land plateau in the Top End of the Northern Territory and this paper is a first description of this previously undocumented song tradition. Morrdjdjanjno are songs owned neither by individuals or clans, but are handed down as 'open domain' songs with some singers having knowledge of certain songs unknown to others. Many morrdjdjanjno were once performed as part of animal increase rituals and each song is associated with a particular animal species, especially macropods. Sung only by men, they can be accompanied by clap sticks alone or both clap sticks and didjeridu. First investigations reveal that the song texts are not in everyday speech but include, among other things, totemic referential terms for animals which are exclusive to morrdjdjanjno. Translations from song language into ordinary register speech can often be 'worked up' when the song texts are discussed in their cultural and performance context. The transmission of these songs is severely endangered at present as there are only two known singers remaining both of whom are elderly. (Publication abstract)'

'In 1928 ethnographer and geologist Herbert Basedow undertook a privately funded expedition through western Arnhem Land. The photographs he took on that trip constitute some of the first photographic images of western Arnhem Land rock-art. In addition to his photographs, Basedow kept a field journal that reveals a relatively enlightened attitude towards Aboriginal art, considering the views commonly held by Europeans about Aboriginal peoples during this era. The rock-art sites Basedow recorded in 1928 remain sites of significance to the Kuninjku site custodians who have their own contemporary interpretations of the paintings photographed by Basedow some 75 years ago. Comparisons are presented between Basedow's 1928 documentation and the contemporary Kuninjku view of these sites.'  (Publication abstract)