Biting The Clouds
Biting the Clouds : A Badtjala Perspective on the Aboriginals Protection and Restriction of the Sale of Opium Act
St Lucia
:
University of Queensland Press
,
2020
20288202
2020
multi chapter work
criticism
Biting The Clouds
A Badtjala perspective on the Aboriginals Protection and Restriction of the Sale of Opium Act, 1897
'In this groundbreaking work of Indigenous scholarship, nationally renowned visual artist Fiona Foley addresses the inherent silences, errors and injustices from the perspective of her people, the Badtjala of K’gari (Fraser Island). She shines a critical light on the little-known colonial-era practice of paying Indigenous workers in opium and the ‘solution’ of then displacing them to K’gari.
Biting the Clouds – a euphemism for being stoned on opium – combines historical, personal and cultural imagery to reclaim the Badtjala story from the colonisation narrative. Full-colour images of Foley’s artwork add further impact to this important examination of Australian history.'
(Source : UQP)
Too Much Lip
St Lucia
:
University of Queensland Press
,
2018
14069794
2018
single work
novel
'Too much lip, her old problem from way back. And the older she got, the harder it seemed to get to swallow her opinions. The avalanche of bullshit in the world would drown her if she let it; the least she could do was raise her voice in anger.
'Wise-cracking Kerry Salter has spent a lifetime avoiding two things – her hometown and prison. But now her Pop is dying and she’s an inch away from the lockup, so she heads south on a stolen Harley.
'Kerry plans to spend twenty-four hours, tops, over the border. She quickly discovers, though, that Bundjalung country has a funny way of grabbing on to people. Old family wounds open as the Salters fight to stop the development of their beloved river. And the unexpected arrival on the scene of a good-looking dugai fella intent on loving her up only adds more trouble – but then trouble is Kerry’s middle name.
'Gritty and darkly hilarious, Too Much Lip offers redemption and forgiveness where none seems possible.' (Publication summary)
Not Just Black and White
Not Just Black and White : A Conversation Between a Mother and Daughter
St Lucia
:
University of Queensland Press
,
2015
8859509
2015
single work
biography
'Lesley Williams was forced to leave the Cherbourg Aboriginal Settlement and her family at a young age to work as a domestic servant. Apart from pocket money, Lesley never saw her wages – they were kept ‘safe’ for her and for countless others just like her. She was taught not to question her life, until desperation made her start to wonder, where is all that money she earned? And so began a nine-year journey for answers.'
'Inspired by her mother’s quest, a teenage Tammy Williams entered a national writing competition with an essay about injustice. The winning prize took Tammy and Lesley to Michael Jackson’s Neverland Ranch and ultimately to the United Nations in Geneva. Along the way, they found courage they never thought they had and friendship in the most unexpected places.' (Source: On-line)
Warrior : A Legendary Leader's Dramatic Life and Violent Death on the Colonial Frontier
Warrior
Crows Nest
:
Allen and Unwin
,
2015
8532889
2015
single work
biography
'In the 1840s, white settlement in the north was under attack. European settlers were in awe of Aboriginal physical fitness and fighting prowess, and a series of deadly raids on homesteads made even the townspeople of Brisbane anxious.'
'Young warrior Dundalli was renowned for his size and strength, and his elders gave him the task of leading the resistance against the Europeans' ever increasing incursions on their traditional lands. Their response was embedded in Aboriginal law and Dundalli became one of their greatest lawmen. With his band of warriors, he had the settlers in thrall for twelve years, evading capture again and again, until he was finally arrested and publicly executed.'
'Warrior is the extraordinary story of one of Australia's little-known heroes, one of many Aboriginal men to die protecting their country. It is also a fresh and compelling portrait of life in the early days of white settlement of Brisbane and south east Queensland.' (Source Publisher's website)