'Liza used to say that she saw her past life as a string of roughly-graded balls, and so did Hilda have a linear conception of hers, thinking of it as a track with detours. But for some years now I have likened mine to a globe suspended in my head, and ever since the shocking realisation that waste is irretrievalbe, I have been careful not to let this globe spin to expose the nether side on which my marriage has left its multitude of images.
'Nora Porteous has spent most of her life waiting to escape. Fleeing from her small-town family and then from her stifling marriage to a mean-spirited husband, Nora arrives finally in London where she creates a new life for herself as a successful dressmaker.
'Now in her seventies, Nora returns to Queensland to settle into her childhood home.
'But Nora has been away a long time, and the people and events of her past are not at all like she remembered them. And while some things never change, Nora is about to discover just how selective her 'globe of memory' has been.
'Tirra Lirra by the River is a moving account of one woman's remarkable life, a beautifully written novel which displays the lyrical brevity of Jessica Anderson's award-winning style.' (Publication summary)
'‘She’s going now,’ said Henry Watter if he said anything at all. Or, ‘It’s a tricky place, the world. You’ve got to be sharp to manage it.’‘Leave her be. She’ll be back,’ said Mrs Watter. ‘This is her home. She knows that.’
Lark Watter had always planned to run away from her stifling suburban life in 1960s Sydney. At university she encounters an American, Tom, and with him the promise of escape. Following Tom to the other side of the world by freighter is a journey to freedom—but the adventure Lark has embarked on isn’t quite what she had anticipated. Not on the way there, and certainly not in New York…
A picaresque journey across the high seas and through the extremes of the ’60s, Dancing on Coral was Glenda Adams’ second novel and established her international reputation. (Publisher's blurb)
'Lauren is a curator at the National Aboriginal Gallery in Canberra. She's good at her job, passionate about the Arts, and takes work seriously. It's easy for Lauren to focus on work, that is, when she's not focussing on Adam.
Lauren is smitten with, or as her friends say, obsessed with Adam - the halfback for the Canberra Cockatoos. But Adam is a player, on and off the field. To everyone other than Lauren, it is clear that Adam doesn't want to be in a relationship at all, even though he likes being with Lauren. In a few short months Adam is involved in one too many scandals that make the press. She is shattered and breaks it off though she can't quite let go...
When she tries to convince her friends that she is waiting for Adam to have his epiphany and realise they are meant to be together, her friends decide to do an intervention on her. Under pressure from them, Lauren successfully applies for her dream job at the Smithsonian in New York. She leaves for the Big Apple, telling herself, that Adam will miss her so much he will see the light and eventually come begging.
Once landing in NYC, Lauren's life goes into overdrive with the preparation of the exhibition, finding her way around the city and marvelling at the city that never sleeps.
There are a lot of men in New York who flirt with Lauren, in fact, there are men everywhere. In the street, on the subway, in cafes and restaurants, in Central Park and even in her apartment building. They really like her, and they LOVE her accent. They fuss over her and just like being around her. Adam had never really been like that with her at all. She goes on dates trying to get Adam out of her system and eventually starts to think that she might never have another boyfriend again, because it is much more fun, and better for her self-esteem to be single in New York.
But when Adam appears on her doorstep six months later, having apparently had the epiphany she was waiting for, Lauren is confused. Adam says he wants her back. He catches Lauren at a weak moment - the exhibition she has been working on is complete and she has to make some big decisions: The Man or Manhattan?' (From the publisher's website.)
'do you remember the water buffalo at the end of our street?
or the deep-sea diver we found near the underpass?
do you know why dogs bark in the middle of the night?
Shaun Tan, creator of The Arrival, The Lost Thing and The Red Tree, reveals the quiet mysteries of everyday life: homemade pets, dangerous weddings, stranded sea mammals, tiny exchange students and secret rooms filled with darkness and delight.'
Source: Back cover.
'With humane irony the Western Australian poet, Jack Davis gives a painful insight into the process of colonisation and the transformation of his people.'
'The Dreamers is the story of a country-town family and old Uncle Worru, who in his dying days, recedes from urban hopelessness to the life and language of the Nyoongah spirit which in him has survived 'civilisation'.' (Currency Press website)
This unit explores the relation between literature and Australian society in the twentieth century. Literature is broadly conceived, as social critique or social settlement, with a focus on the questions asked by Indigenous Australian writing. Readers are introduced to novels, poetry, theatre and film from across the century, including contemporary Australian writing. The representation of relations between place and culture; the city/bush divide; history; memory and subjectivity; class and social change; gender codes and sexuality; recent challenges to unifying national myths; Indigenous writing; and (post)colonial frames form some of the unit's concerns.