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y separately published work icon Stories of Love & Deception selected work   drama  
Issue Details: First known date: 2015... 2015 Stories of Love & Deception
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Contents

* Contents derived from the Strawberry Hills, Inner Sydney, Sydney, New South Wales,:Currency Press , 2015 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Day One, A Hotel, Evening, Joanna Murray-Smith , single work drama
'A Hotel, Evening' is a smart, incisive comedy-of-manners about a group of well established couples and friends who, through a series of "La Ronde" style affairs, have spun an intricate web of feeling and indifference within their social circle. In a world where individual fulfilment is paramount, how do we all agree to play along?' (Red Stitch Actors Theatre website)
(p. 1-70)
True Minds, Joanna Murray-Smith , single work drama humour
'Alive with her characteristic wit and needle-sharp social observation, True Minds is Joanna Murray-Smith's most glittering comedy to date.

Meeting your future mother-in-law is an anxious moment for any young woman. The last thing Daisy needs is her lefty parents turning up uninvited, or her alcoholic ex-boyfriend cracking open the cellar door! How on earth can she win the approval of Australia's answer to Margaret Thatcher?

True Minds is not only a hilarious battle of the sexes and political polarities, but also a rewarding exploration of the triumph of modern love.'
(p. 71-144)
Fury, Joanna Murray-Smith , single work drama

'Alice and Patrick are conscientious and thoughtful, educated and open-minded, and that’s how they’ve raised their son, Joe. One evening, Joe’s teacher arrives to tell them that Joe is in trouble. Detained by police, he has committed an act of vandalism. Against the local mosque.

'Fury pushes into controversial territory: where personal sacrifice and responsibility are pitted against political correctness, and “good” people must confront the limitations of their empathy in the face of terror.

Are the children who are inheriting the world forced to place pragmatism ahead of conscience, or are idealism and hope the only way forward?'

Source: Red Stitch Theatre.

(p. 145-202)
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