Lucy Butler Lucy Butler i(8460274 works by)
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Works By

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1 We Were Invited to All the Parties Lucy Butler , 2021 single work poetry
— Appears in: Friendship 2021;
1 Something Borrowed, Something Blue : Bluebeard Dismembers Romance in Australasia and Beyond Lucy Butler , 2015 single work criticism
— Appears in: Australasian Journal of Popular Culture , vol. 4 no. 1 2015; (p. 57-72) 'This article surveys a range of relatively recent works in which the Bluebeard figure of fairy tale appears to cut to the paradoxical ‘heart’ of the mythology of romantic love in popular culture. Creative practitioners in Australasia and beyond are using the sinister figure of Bluebeard to critique romantic mythology, probing, in particular, the fraught intersection of love, knowledge and artistry. In the works of Jane Campion, Nick Cave, Sarah Quigley and others, Bluebeard comes to signify the violence that can accompany the lover and/as artist’s attempts to define the self through the other and the other through the self. In recent times, Bluebeard and his wife are doubled in their pursuit of penetrative knowledge of the other in the name of love, and this romantic quest is here equated with an erasure of the beloved’s subjectivity and the reduction of love’s potential. Bluebeard, in the hands of these predominately female creators, lends himself to an exploration of the contemporary dilemmas of love, encouraging us to question the demands we make of each other and ourselves in the realm of romance. This article focuses on Bluebeard in recent Australasian works read in an international and historical context.' (Publication abstract)
1 After Happy Ever : Tender Extremities and Tangled Selves in Three Australasian Bluebeard Tales Lucy Butler , 2014 single work criticism
— Appears in: Journal of Popular Romance Studies , vol. 4 no. 2 2014;

'This article identifies a critique of popular romance plots through unstable identities and disingenuous narrative perspectives in three Australasian Bluebeard tales. In these works by female writers in Australia and New Zealand, Bluebeard’s key tropes of fragmentation, repetition and revelation are used to dismember popular understandings of romantic love. Confronting both the limits of knowledge and the power of story to shape romantic relations, Margaret Mahy, Sarah Quigley and Marion Campbell each in different ways refashion the Bluebeard tale’s central images to complicate romantic love as a site of self-realisation. The resulting works ask us to consider how narratives and expectations of romantic love might be better “re-membered” to encourage relations of embodied compassion in contemporary Western culture.'

Source: Abstract.
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