Hem Raj Bansal (International) assertion Hem Raj Bansal i(8351411 works by)
Gender: Male
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 From Ellen Gluyas to Ellen Roxburgh to Mab : Shifting Identities in Patrick White's A Fringe of Leaves Hem Raj Bansal , 2016 single work criticism
— Appears in: Narratives of Estrangement and Belonging : Indo-Australian Perspectives 2016; (p. 129-151)

'This paper is an analysis of the characters in Patrick Whites' A Fringe of Leaves. Bansal states : 

'This paper seeks to unravel Ennen's consistent formulation and reformulation of her identities from her childhood to her stay with the Aboriginals and later with Jack Chance, an escaped convict. It further shows how the novelist's concern with history is not fetishized or partisan but an impartial one where a character plunges into both the worlds and leaves it to the readers to find out which one is more humane. It would further explore the issues of belongingness and nostalgia in terms of Ellen Roxburgh's shifts in locale.' (130)
1 Memory as a Site of Pain, Resistance and Reclamation : A Study of Sally Morgan's My Place and Baby Kamble's The Prisons We Broke Hem Raj Bansal , 2013 single work criticism
— Appears in: IJAS , no. 6 2013; (p. 56-75) Hem Raj Bansal compares the narrative of Indian Dalit and Australian Aboriginal biographical and autobiographical writing. The paper investigates My Place by Sally Morgan and The Prisons We Broke by Baby Kamble.
1 Assimilation, Resistance, Survival : History as Autobiography in Geoffrey Narkle's King Hit Hem Raj Bansal , 2011 single work criticism
— Appears in: IJAS , no. 4 2011; (p. 74-87)
X