Amy Ingram Amy Ingram i(7125069 works by)
Gender: Female
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Works By

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1 y separately published work icon I Just Came to Say Goodbye Lauren Clelland , Caroline Dunphy , Daniel Evans , Amy Ingram , Kieran Swann , 2017 12635803 2017 single work drama

'Based on anonymous apologies and real stories of forgiveness submitted by your friends and frenemies, Brisbane’s own The Good Room bring you this brand new work - a glitter-fuelled finale event for the wronged and the righteous. Bridges will be burned. Hatchets might be buried. Nobody escapes unscathed.

'A wildly theatrical and intimately honest testimony, I JUST CAME TO SAY GOODBYE crashes head-first into the foggy terrain of forgiveness to share hundreds of stories of guilt, grudges, remorse, and revenge.'

Source: Brisbane Festival.

1 1 I Want To Know What Love Is Daniel Evans , Amy Ingram , Lauren Clelland , Caroline Dunphy , Kieran Swann , 2014 single work drama

'Based entirely on anonymous stories, I Want To Know What Love Is is a theatrical work made in response to the fragments of love, yearning and heartbreak submitted by the general public via the specially-built website wewantyourlove.com.

'You are invited to bear witness to the love stories of strangers – some epic, others fleeting – as we ask some hard questions about the heart: What have you done for love? Is yours the greatest love story never told? Who, or what, do/did you love? Why? Is love science or poetry? What does love look/smell/taste like? What is the ultimate love song or lyric? Was there ever a time when love just wasn’t enough ...

'I Want To Know What Love Is throws a spotlight on long-buried thoughts, stories, crushes and conquests as secret confessions are transformed into magnificent declarations centre stage. This is a celebration of the ordinary made extraordinary. This is for you. '

1 To the Stranger Who Hopefully Doesn't Know Who I Am : Amy Ingram Amy Ingram , 2013 single work correspondence
— Appears in: Yours Truly : Cathartic Confessions, Passionate Declarations and Vivid Recollections from Women of Letters 2013; (p. 154-159)
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