First produced at the New Theatre Royal English Opera House, London, England, 19 August 1817.
Performed at the Theatre Royal Sydney, New South Wales, January 1838.
Advertisement for: Second performance on 11 January 1838 of: Therese, or, The Orphan of Geneva, by Henri Joseph Brahaim Ducange Victor, translated and adapted for the English stage by John Howard Payne. Date: 1821; First performance of: Fire and Water, or, A Critical Hour : An Operetta, by Samuel Beazley. Date: 1817.
Advertisement for: Performance for the second time on 16 January 1838 of: ' the Serious Drama, in 3 Acts, called Victorine, or, I'll Sleep On It' and 'the laughable Farcetta, called Fire and Water, or, The Critical Hour', [Samuel Beazley, 1817]
This column describes theatrical life in Sydney, New South Wales, in January 1838. Joseph Wyatt is about to open 'the new Theatre on Monday, the 19th February.' Wyatt's Victoria Theatre did not open until March 1838. The column also comments on John Lazar's Theatre Royal season with damning comments on the performance of Fire and Water, or, A Critical Hour : An Operetta. Overuse of the prompter by one of the performers in Fire and Water reminds the author (William Kerr?) of early colonial actresses Eliza Winstanley and Mrs Larra.
Advertisement for: Second performance on 11 January 1838 of: Therese, or, The Orphan of Geneva, by Henri Joseph Brahaim Ducange Victor, translated and adapted for the English stage by John Howard Payne. Date: 1821; First performance of: Fire and Water, or, A Critical Hour : An Operetta, by Samuel Beazley. Date: 1817.
Advertisement for: Performance for the second time on 16 January 1838 of: ' the Serious Drama, in 3 Acts, called Victorine, or, I'll Sleep On It' and 'the laughable Farcetta, called Fire and Water, or, The Critical Hour', [Samuel Beazley, 1817]
This column describes theatrical life in Sydney, New South Wales, in January 1838. Joseph Wyatt is about to open 'the new Theatre on Monday, the 19th February.' Wyatt's Victoria Theatre did not open until March 1838. The column also comments on John Lazar's Theatre Royal season with damning comments on the performance of Fire and Water, or, A Critical Hour : An Operetta. Overuse of the prompter by one of the performers in Fire and Water reminds the author (William Kerr?) of early colonial actresses Eliza Winstanley and Mrs Larra.