y separately published work icon Journal of the Royal Australian Historical Society periodical issue  
Issue Details: First known date: 2013... vol. 99 no. 2 December 2013 of Journal of the Royal Australian Historical Society est. 1920 Journal of the Royal Australian Historical Society
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Contents

* Contents derived from the , 2013 version. Please note that other versions/publications may contain different contents. See the Publication Details.
George Vandiemen : A Tasmanian Aborigine in Lancashire, England : (1822-1827), Zoe Lawson , single work biography (p. 153-169)
Lights, Camera, Fire! Cinematic Representations of World War I's Middle East Front and its Palestine Campaign, Yvonne Kozlovsky-Golan , single work criticism
'Two important Australian feature films, separated by nearly 50 years, form the basis of this article's examination of World War I's Middle East front through a study of the cinematic corpus referring to the war and its images. Charles Chauvel's 40,000 Horsemen (1941) and Simon Wincer's The Lighthorsemen (1987) offer a spring board for the exploration of the visual aspects of viewers' historical, social and cultural memory shaping the nearly forgotten story of the forces of the British Empire that fought in Palestine and Eastern Transjordan. The cinematic medium developed its own unique signs for wars, usually portraying wartime as a romantic epoch, and not as death and destruction.' (Author's introduction)
 (p. 170-189)
[Untitled], Eileen Chanin , single work
— Review of L. Bernard Hall : The Man the Art World Forgot Gwen Rankin , 2013 single work biography ; (p. 220-222)
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