Louise Hamby Louise Hamby i(6377156 works by)
Gender: Female
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Works By

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1 y separately published work icon Art from Milingimbi : Taking Memories Back Cara Pinchbeck , Louise Hamby , Louis A. Allen , Sydney : Art Gallery of New South Wales , 2016 10515268 2016 single work single work information book

'This book presents for the first time the exquisite bark paintings by 15 artists, as well as ceremonial and utilitarian objects, from the small island community of Milingimbi in far northern Australia'. (Source: TROVE)

1 y separately published work icon Art from Millingimbi : Taking Memories Back Lindy Allen , Louise Hamby , Art Gallery of New South Wales , Cara Pinchbeck (editor), Sydney : Art Gallery of New South Wales , 2016 10082183 2016 single work single work art work
1 y separately published work icon Containers of Power: Women with Clever Hands Louise Hamby , Richmond : Utber & Patullo Publishing , 2010 6377368 2010 single work non-fiction

'Containers of Power investigates the complex set of relationships between fibre works and makers including history and creating. Over 700 images illustrate the work of Gapuwiyak women past and present to highlight their individual styles and demonstrate their cultural identity.' (Source: Nomad art website)

1 Thomson Times and Ten Canoes (de Heer and Djigirr, 2006) Louise Hamby , 2007 single work criticism
— Appears in: Studies in Australasian Cinema , vol. 1 no. 2 2007; (p. 127-146)

'Ten Canoes (de Heer and Djigirr, 2006) is a collaboration between Rolf de Heer and members of the Ramingining community in eastern Arnhem Land. The film ostensibly has two time frames: a 'mythical past' which could be called 'the Dreaming' and the historical time in which the protagonist, Dayindi, lives, which is given as '1000 years ago' (Vertigo 2006: 3). The development of Ten Canoes drew upon the writings of Donald Thomson and his collection of over 2500 ethnographic photographs, 1500 natural history photographs and 5500 objects from Arnhem Land, now held at Museum Victoria in Melbourne. One fourth of the material culture items consist of objects worn on the body, which I have termed 'bodywear' (Hamby 2006). In tracing community use of, and responses to, the Thomson Collection, I argue that members of the Ramingining community understand one strand of the Ten Canoes plot, Dayindi's story, to take place in the time of those relatives who had met and worked with Thomson: in both their production and reception of Dayindi's story, it takes place not 1000 years ago but in 'Thomson Times'.'

Source: Abstract.

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