y separately published work icon Commercial Journal and Advertiser newspaper issue  
Issue Details: First known date: 1838... vol. 4 no. 257 11 April 1838 of Commercial Journal and Advertiser est. 1835 Commercial Journal and Advertiser
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Contents

* Contents derived from the , 1838 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Untitledi"THOUGH danger scorned is half subdued,", single work poetry (p. 1)
Theatre Royal, Sydney : Closure, single work advertisement

An advertisement in the form of an apology to the public for the closure of the Theatre Royal, Sydney.

The advertisement is by Sarah Levey, 'the Widow of the late Barnett Levey' and is dated 29 March 1838.

 (p. 1)
Address, single work column (p. 2)
Royal Victoria Theatre, single work review
— Review of Youthful Queen, Christine of Sweden Charles Shannon , 1828 single work drama ; The Merchant's Wedding; Or, London Frolics in 1638 James Robinson Planche , 1828 single work drama ; The King's Command; Or, All for Love C. Pelham Thompson , 1838 single work drama ;

Review of performances at the Royal Victoria Theatre on 7 and 10 April 1838.

 (p. 2)
Engraving & Printing, single work advertisement

An advertisement announcing that 'HAVING hired a first-rate London Workman, and recently purchased some additional Machinery, [R. Clint] is now enabled to conduct his business in style not to be excelled in England at an hour's notice, in Printing, Engraving and other business'.

 (p. 3)
Royal Victoria Theatre : The Merchant of Venice &c., single work advertisement

Advertisement for performance at the Royal Victoria Theatre, Sydney, on 12 April 1838 of: William Shakespeare’s '... admired Play of the Merchant of Venice’; ‘the laughable Interlude called No! ’ [William Henry Murray, 1826]; ‘To conclude with an entirely new and popular Farce, called The Queer Subject’ [Joseph Stirling Coyne, 1836]

 (p. 3)
Scene in a Gambling House, Charles James Apperley , extract prose (p. 4)
Human Dogs, extract prose (p. 4)
X