y separately published work icon Sūdō Journal periodical issue  
Issue Details: First known date: 2024... no. 5 December 2024 of Sūdō Journal est. 2018 Sūdō Journal
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Contents

* Contents derived from the , 2024 version. Please note that other versions/publications may contain different contents. See the Publication Details.
The Pumpkin Man, Kevin B. , single work short story
Variegated, Fissiparous Animation S: An Australian Writing Memoir, Moya Costello , single work essay
'The space I usually dwell in is the back of my head, what poet Les Murray thought of as a dreaming space. Poet J. S. Harry wrote: “Living in-all-in your-head / is a kind of thistle madness.” An academic colleague once called me “an absent-minded professor.” My sisters thought I would never be a driver, as I’m too vague and distracted. “Reality escapes you,” my partner regularly declaims' 

(Introduction)

When the Angel Put an End to Timei"When the angel put an end to time, she left me licking a frog", Andrew Leggett , single work poetry
Transit, BLT , single work short story
The Untimely “Now”: On the Crystallisation, Stretching and Shrinking of My Various Presents, Eduardo de la Fuente , single work essay
Peach, Courtney Mason , single work short story
The Vivariumi"The fish swim; some along the length,", Jeremy Gadd , single work poetry
B Is for Bee, Sharon Bryan , single work short story
The Man in the Tan Shoes, Andrew McKenna , single work short story
Lest They Embellish a More Voluptuous Regioni"I can remember one", Troy Walsh , single work poetry
My Father, Chukwuemeka Famous , single work short story
Hit Immunity, Elif Sinem Erdem , single work short story
The Body in Time : A Physical Approach to Historical Storytelling, Todd Barty , single work essay
'In contemporary Australian Theatre, creators are making increasing use of postdramatic vocabularies, specifically exploring the way they may be deployed to address the challenging and emotive processes of truth telling and cultural memory as we continue to explore Australian history. Often, this encompasses the use of actor-driven approaches familiar to physical theatre to provoke thought and dialogue by encouraging an active audience. In order to critically engage with these works, it is helpful to reflect on the history of the physical and postdramatic modes, before moving to an exploration of their emergence in Australian performance'
Followi"The thing is, I don’t want", Nancy Anne Miller , single work poetry
(In)audible : A Confession, Mirela Cufurovic , single work short story
Lord of Land, Barlow Crassmont , single work short story
Jailbreaking, Faith Palermo , single work short story
Listening to A Moon Shaped Pooli"I feel stuffiness,", Anton Lushankin , single work poetry
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