Gloria Mulvihill (International) assertion Gloria Mulvihill i(28130671 works by)
Gender: Female
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Works By

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1 Millicent Weber : DarntonWatch Nicholas Shea , Gloria Mulvihill , 2020 single work criticism
— Appears in: Publishing Research Quarterly , September vol. 36 no. 3 2020; (p. 378–380)

'Millicent Weber, author of Literary Festivals and Contemporary Book Culture, aspires to bring the scholarly field of book publishing together with DarntonWatch—a promising new podcast designed to support researchers and disseminate cutting-edge knowledge and practices within the industry.'  (Introduction)
1 Millicent Weber : Literary Festivals and Contemporary Book Culture Gloria Mulvihill , Nicholas Shea , 2019 single work review
— Appears in: Publishing Research Quarterly , June vol. 35 no. 2 2019; (p. 310–312)
— Review of Literary Festivals and Contemporary Book Culture Millicent Weber , 2018 multi chapter work criticism

'For some, literary festivals might appear as strip malls swarming with hordes of bookloving windowshoppers eager to snatch the latest title, but Millicent Weber’s Literary Festivals and Contemporary Book Culture begs to differ. Weber presents a comprehensive framework that configures literary festivals as a unique space for synthesizing limited theoretical approaches with individual and communal experiences of festivalgoers. She proffers a back-to-basics understanding of literary festivals that reconnects the enduring love triangle of author, reader, and book while appealing to the likes of academics, policymakers, and festival organizers.' (Introduction) 
1 Who Is Publishing Diverse Books Best? Nicholas Shea , Gloria Mulvihill , Vi La Bianca , Alyssa Hanchar , 2018 single work criticism
— Appears in: Publishing Research Quarterly , June vol. 34 no. 2 2018; (p. 207–217)

'There is a recurring conversation surrounding diversity in publishing, and publishing houses of all sizes have claimed dedication to de-homogenizing both the industry and the content. Numerous efforts have been enacted with varying degrees of success, but the answer to the question, “Who is effectively publishing diverse books?” remains elusive.'  (Introduction) 
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