Bronwyn Reddan Bronwyn Reddan i(27869419 works by)
Gender: Female
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 Booktopia, Australia’s Biggest Online Bookseller, Is Poised for Collapse. That Doesn’t Mean Bookshops Are in Trouble Katya Anne-Madsen Johanson , Bronwyn Reddan , 2024 single work column
— Appears in: The Conversation , 4 July 2024;

'At its height, Australia’s largest online bookseller, Booktopia, had a A$2.4 million turnover, 5 million customers, and sold a book “every 3.9 seconds”. This week, it entered voluntary administration, a month after announcing the axing of 50 jobs and resignation of senior staff, including its chief executive. Shares had fallen to 4.5 cents, compared with about $3 a share in 2021.' (Introduction)

1 y separately published work icon Social Reading Cultures on BookTube, Bookstagram and BookTok Bronwyn Reddan , L. M. Rutherford , Amy Schoonens , Michael Dezuanni , Abingdon : Routledge , 2024 28229225 2024 single work criticism

'This book examines the reading cultures developed by communities of readers and book lovers on BookTube, Bookstagram, and BookTok as an increasingly important influence on contemporary book and literary culture. It explores how the affordances of social media platforms invite readers to participate in social reading communities and engage in creative and curatorial practices that express their identity as readers and book lovers.

'The interdisciplinary team of authors argue that by creating new opportunities for readers to engage in social reading practices, bookish social media has elevated the agency and visibility of readers and book consumers within literary culture. It has also reshaped the cultural and economic dynamics of book recommendations by creating a space in which different actors are able to form an identity as mediators of reading culture.

'Concise and accessible, this introduction to an increasingly central set of literary practices is essential reading for students and scholars of literature, sociology, media, and cultural studies, as well as teachers and professionals in the book and library industries.'

Source: Publisher's blurb.

1 From ‘Fiction Fanatic’ to ‘Book Abstainer’ : Which Type of Reader Is Your Teenager? L. M. Rutherford , Andrew Singleton , Bronwyn Reddan , Katya Anne-Madsen Johanson , Michael Dezuanni , 2024 single work essay
— Appears in: The Conversation , 5 April 2024;
1 #Ownvoices, Disruptive Platforms, and Reader Reception in Young Adult Publishing L. M. Rutherford , Katya Anne-Madsen Johanson , Bronwyn Reddan , 2022 single work criticism
— Appears in: Publishing Research Quarterly , September vol. 38 no. 3 2022; (p. 573–585)

'The concept of #ownvoices writing has gained traction in contemporary publishing as both a genre of reader interest and a focus for debates about authors’ rights to write cross-culturally. This paper examines tensions the #ownvoices movement reveals between the commissioning, publishing, and critical reception of a book, using debate about Craig Silvey’s Honeybee, an Australian novel focalized through a young trans protagonist but written by a straight male author. Drawing on the theory of recognition, it analyzes author and publisher media interviews, social media, and literary reviews in mainstream publications, which are given context through with selected interviews with Australian publishers. Misrepresentation and appropriation are concerns for many readers, while judgements about aesthetic quality vary. Structures within the book industries limit the economic representation of diverse creators which, in turn, has implications for the diversity of experience represented in young adult fiction and its literary quality.'  (Publication abstract)

X