y separately published work icon The Saturday Paper newspaper issue  
Issue Details: First known date: 2024... 19 February 2024 of The Saturday Paper est. 2014 The Saturday Paper
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Contents

* Contents derived from the , 2024 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Reconfigurationsi"So unmade and remade, I track the electric spotlight of nerves.", Damien Millar , single work poetry
The Housei"Let’s begin with the house.", Damien Millar , single work poetry
A Magpiei"A magpie’s saurian eye", Damien Millar , single work poetry
Myfanwy Jones Cool Water, James Bradley , single work review
— Review of Cool Water Myfanwy Jones , 2024 single work novel ;

'Melbourne author Myfanwy Jones’s last novel, the 2015 Miles Franklin-shortlisted Leap, was a deceptively complex creation. Emotionally acute and raw in its portrayal of guilt and grief, it was simultaneously oddly elliptical, with an almost allegorical dimension. Although her new novel, Cool Water, shares Leap’s light-footedness and crystal-clear prose, at least initially it feels more conventional. But as the novel proceeds it quickly becomes clear that it shares a very similar sensibility, and more than a little of Leap’s obliqueness and preparedness to take narrative risks.'(Introduction)

Linda Margolin Royal The Star on the Grave, Miriam Cosic , single work review
— Review of The Star on the Grave Linda Margolin Royal , 2024 single work novel ;

'It wasn’t uncommon for Jewish people to remain silent about their experiences of the horrors of World War II in Europe, something that contributed to the inherited trauma of their children and grandchildren. Indeed, it wasn’t unheard of for people who sought asylum in other countries to hide their lineage altogether as they encouraged their children to assimilate.'(Introduction)

Roslyn Orlando Ekhō, Andy Jackson , single work review
— Review of Ekho Roslyn Orlando , 2024 selected work poetry ;

'It’s no wonder Greek myths keep being modernised, when the times feel so consequential, riven with myriad disruptions caused by hubris and violation. Ekhō is the latest such retelling, a book-length poem in three sections by writer and artist Roslyn Orlando.' (Introduction)

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