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y separately published work icon Georgic Literature and the Environment anthology   criticism  
Issue Details: First known date: 2022... 2022 Georgic Literature and the Environment
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Contents

* Contents derived from the London,
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England,
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United Kingdom (UK),
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Western Europe, Europe,
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Routledge , 2022 version. Please note that other versions/publications may contain different contents. See the Publication Details.
The Semi-Georgic Australian Sugarcane Novel, Elizabeth Smyth , single work criticism

'In Australian ecocriticism, farming is understood as a destructive colonial extraction of wealth that has obliterated the pre-colonial Aboriginal relationship with nonhuman nature. This view is problematic for those seeking to recognise positive changes in farming practices or to develop alternative literary conceptions of farming. This chapter recognises the transmission of Roman culture to Australia by juxtaposing Virgil’s Georgics with three Australian novels and exploring how the georgic mode is registered. A focus on farming practices in Ronald McKie’s The Crushing (1977), Jean Devanny’s Cindie: A Chronicle of the Canefields (1946), and John Naish’s The Cruel Field (1962) enables an ecocritical reading that counters findings by Shirley McDonald (2015) of British colonists in Canada as practising sustainable agriculture. How Aboriginal characters interact with farming and are excluded from or included in the georgic mode is also discussed. Together these novels depict Aboriginal dispossession and marginalisation, large-scale transformation of pre-existing landscapes, and destruction of coral reefs. This chapter makes use of readings of Virgil’s Georgics as a reflection of Roman imperialism, a scientific text, and a portrayal of chaos and human limits to contribute new understandings of the Australian sugarcane novel and to, perhaps, enable the creation of new versions.'

Source: Abstract.

(p. 184-198)
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