y separately published work icon Eureka Street periodical issue  
Issue Details: First known date: 2023... vol. 33 no. 2 06 February 2023 of Eureka Street est. 1991- Eureka Street
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Contents

* Contents derived from the , 2023 version. Please note that other versions/publications may contain different contents. See the Publication Details.
In Conversation with Helen Garner, Paul Mitchell (interviewer), single work interview

'Arguably Australia’s most celebrated living author, Helen Garner has built a reputation as a fearless and unapologetic writer whose work has remained fresh and relevant for over 45 years. We sat down with Helen to explore the challenges of confessional non-fiction, her fondness for church, and her commitment to unsparing self-analysis. '
Conjurer of the Infinite : Memories of Mama, Binoy Kampmark , single work prose
The Little Red Wagoni"My soul’s own Radio Flyer sags with age,", Robert DiNapoli , single work poetry
Child of Adam (Dante in Low-Earth Orbit)i"I was born in free-fall. Liberty", Robert DiNapoli , single work poetry
Post Mortemi"Once I have sped, how shall I then express", Robert DiNapoli , single work poetry
Celebrating Needling Humour, Andrew Hamilton , single work review
— Review of Tuesday Evenings with the Copeton Craft Resistance Kate Solly , 2022 single work novel ;

'Eighty years ago, Catholics sought the great Catholic Novel. Candidates such as Graeme Greene, Evelyn Waugh, JF Powers and Walter Percy were mentioned and often found wanting. The deeper question, of course, is what might count as a Catholic novel, and indeed whether a novel that was distinctively Catholic could be a great novel. At a time highlighted by Hitler, Stalin and war the specifically Catholic themes were often identified as sin and forgiveness focused on the tortured death of Christ. Graeme Green’s novel Brighton Rock was taken to invite the question whether the antihero Pinkie, who at the end of the novel jumps suicidally from a cliff, might have repented between the cliff top and the water. ' (Introduction)
Critical Issues, Kate Moriarty , single work essay
'Write for Eureka Street? I don’t know. That's a proper, grown-up magazine. Serious business. I definitely don’t belong and any other time I got a piece published there was a total fluke. If I try again, I’ll get found out for sure. And who am I to speak as an authority on a subject? Oh no. Ick ick ick. ‘Oooh. Look at me! I know something!’ Who do I think I am? Ew. No. No thank you.' (Introduction)
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