Mario Gaoa (International) assertion Mario Gaoa i(24478915 works by)
Gender: Male
Heritage: Samoan
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 3 form y separately published work icon We Are Still Here Danielle MacLean , Dena Napuljarri Curtis , Tim Worrall , Richard Curtis , Miki Magasiva , Mario Gaoa , Tiraroa Reweti , Chantelle Burgoyne , Tracey Rigney , Renae Maihi , Samuel Nuggin-Paynter , ( dir. Beck Cole et. al. )agent Australia : No Coincidence Media , 2022 24479100 2022 anthology film/TV

'Hurtling through space and time, We Are Still Here is an unparalleled First Nations celebration, interweaving eight stories by 10 directors from Australia, New Zealand and the South Pacific.

'Conceived as a cinematic response to the 250th anniversary of James Cook’s arrival in this region, We Are Still Here is a poetic and powerful statement of resistance and survival. Through eight heroic protagonists, the film traverses 1000 years exploring stories of kinship, loss, grief and resilience. It begins with a stunning animation set in ancient times, when a mother and daughter out fishing have a disturbing vision of the future. Then we are taken to 1862 where, in both Australia and New Zealand, Indigenous people confront the prospect of a terrifying future. In 1915, a Samoan soldier finds himself in a perilous situation, but also encounters an unexpected act of kindness. Alongside stories set in the past, there are also contemporary stories of activism, of confronting racism, of romance and of ancestral love. And finally, a vision of a dystopian future. Bringing together a range of genres – animation, sci-fi, romantic comedy, period drama – We Are Still Here is cumulatively a strident story of endurance in the face of colonialism, racism and attempted erasure. It is also evidence of thrilling new First Nations cinematic talent from our region.'

Source: Sydney Film Festival.

X