History
The Five Islands Press Prize is an initiative of previous Five Islands Press' managing editor Kevin Brophy, the Centre for Creative and Cultural Research at the University of Canberra, and Australian Poetry.
First offered in 2021-2022, it aims to support and celebrate emerging poets and honour publishers of new poetry, and is offered for the first, already published, book-length collection by a poet living in Australia.
The prize is split between the poet ($2500) and the publisher ($1000).
Source: Five Island Press.
Latest Winners / Recipients
-
Year: 2022-2023
winner y
Secret Third Thing
Melbourne
:
Cordite Press
,
2023
26023565
2023
selected work
poetry
'What characterises Hogan’s poetry is the way that, each time we come close to fully apprehending the impending collapse of capitalism, we are waylaid by something more urgent and mundane. To be non- binary, as these poems show, is not to just be a secret third thing, it is to bring class consciousness to bear upon gender.' (Publication summary)
-
Year: 2021-2022
inaugural winner y
Do You Have Anything Less Domestic?
Newtown
:
Vagabond Press
,
2022
23670069
2022
selected work
poetry
'Navigating the world, inheriting the gender of woman, feeling more or less comfortable with that, trying to find the ways in which the word is inhabited and where it slips away; wondering where the domestic bleeds into the public; whose place is where and what are the rules? These questions form the basis of Do you have anything less domestic? The poems within whisper quietly behind closed doors at night; take trips out into daily life with a sharp eye and worried tongue; tease at generalities and assumptions about what a woman’s body of work is, what it does, how it looks, reads and feels. The collection is structured into five sections that each take one of these utterances as their heading (each said to or about the author at one time): Do you have anything less domestic; Don’t write about your family, nobody cares; It's important to keep up weight bearing exercise; You have a nice smile, you should use it more; I hope I won’t put anyone off by saying this is genuinely feminist work. The poems move from the intimate and domestic, through family and social themed works, and out to broader themed pieces that are overtly feminist in how they interrogate language, content and form.' (Publication summary)
