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Works By

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1 Will She See You at the Protest? Hasib Hourani , 2024 single work review
— Appears in: Meanjin Online 2024;

— Review of The Sunbird Sara Haddad , 2024 single work novella

'Each week, Nabila Yasmeen leaves the house with three items in her pockets: a stone, a key, a map. The stone was retrieved the day israel invaded her town as a little girl. The key will one day re-open the door to her seized childhood home. The map is one familiar to most Palestinians: our diminishing land over time, as the zionist entity annexed more and more to satiate its gluttonous and malevolent control.'

1 I'll Be in the Underpass i "you're snoring, couldn't you hear it? loud like a steam engine", Hasib Hourani , 2024 single work poetry
— Appears in: Heat (Series 3) , July no. 15 2024; (p. 73)
1 It's Nice Beneath the Orange Couch i "I'm not scared of anything", Hasib Hourani , 2024 single work poetry
— Appears in: Heat (Series 3) , July no. 15 2024; (p. 72)
1 How to Trap a Silverfish i "silverfish is starving", Hasib Hourani , 2024 single work poetry
— Appears in: Heat (Series 3) , July no. 15 2024; (p. 71)
1 2 y separately published work icon Rock Flight Hasib Hourani , Artarmon : Giramondo Publishing , 2024 28347565 2024 selected work poetry

'A moving testament to the displacement and dispossession of the Palestinian people.

'rock flight is a book-length poem that, over five chapters, follows a personal and historical narrative, to compose an understated yet powerful allegory of Palestine's occupation. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions and surveillance technology that Palestinians face both within and outside Palestine. It depicts a restlessness brought about by dispossession, and a determination to find significance in fleeting objects and fragments. It looks to the literary form as an interactive experience, and the book as an object in flux, inviting the reader to embark on an exploration of space, while limited by the box-like confines of the page. Formally claustrophobic, the poem morphs into irony, declaring everything a box while refusing to exist within one.'  (Publication summary)

1 Winter Jumper i "shaking in a cotton shirt waiting for the tram to take me to work", Hasib Hourani , 2023 single work poetry
— Appears in: Going Down Swinging Online 2023; Best of Australian Poems 2023 2023; (p. 178)
1 When We Blink Hasib Hourani , 2022 single work essay
— Appears in: Against Disappearance : Essays on Memory 2022;
1 I'm Not Hungry Anymore Hasib Hourani , 2022 single work essay
— Appears in: Cordite Poetry Review , 1 December no. 107 2022; Liminal , October 2022;

'Ramadan is one month long and its timing follows the lunar calendar. This means that each year, it inches backwards twelve days. My tenth birthday, in September 2006, was on the first day of Ramadan. As I write this opening paragraph, it is April and we’re one week in. Between 2011 and 2018, Ramadan spanned the months of July and August—the northern hemisphere summer holidays.' (Introduction)

1 Sealed Tight for Safety i "i call my suburb the god district", Hasib Hourani , 2021 single work poetry
— Appears in: Tell Me Like You Mean It 5 2021; Best of Australian Poems 2022 2022; (p. 162)
1 Mohamed Chamas Hasib Hourani (interviewer), 2021 single work interview
— Appears in: Liminal , November 2021;

'Chamas's Virtual Reality works exist as unsurveilled sites of healing for orientalised bodies; namely  سايبر تصوف (cyber tasawwuf) 2018. Chamas has exhibited at Testing Grounds, Seventh Gallery, Trocadero Arts Space and Incinerator Gallery.

'Mohamed spoke to Hasib Hourani about mysticism, fear, trust, and codes.'  (Introduction)

1 Salt Sore i "the sunlight starts without me", Hasib Hourani , 2021 single work poetry
— Appears in: Cordite Poetry Review , October no. 103 2021;
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