Cirrus@Austlit

'What if Peter Pan was a homeless kid just trying to survive, and Wendy flew away for a really good reason?

'Seventeen-year-old Kettle has had his share of adversity. As an orphaned Japanese American struggling to make a life in the aftermath of an event in history not often referred to―the internment of Japanese Americans during World War II and the removal of children from orphanages for having "one drop of Japanese blood in them"―things are finally looking up. He has his hideout in an abandoned subway tunnel, a job, and his gang of Lost Boys.

'Desperate to run away, the world outside her oppressive brownstone calls to naïve, eighteen-year-old Nora―the privileged daughter of a controlling and violent civil rights lawyer who is building a compensation case for the interned Japanese Americans. But she is trapped, enduring abuse to protect her younger sister Frankie and wishing on the stars every night for things to change.

'For months, they've lived side by side, their paths crossing yet never meeting. But when Nora is nearly killed and her sister taken away, their worlds collide as Kettle, grief stricken at the loss of a friend, angrily pulls Nora from her window.

'In her honeyed eyes, Kettle sees sadness and suffering. In his, Nora sees the chance to take to the window and fly away.

'Set in 1953, NORA AND KETTLE explores the collision of two teenagers facing extraordinary hardship. Their meeting is inevitable, devastating, and ultimately healing. Their stories, a collection of events, are each on their own harmless. But together, one after the other, they change the world.'

Source: Publisher's blurb.

'We offer our wounds and scars. Understanding that’s part of what makes us beautiful.

'Nora finally has her beloved sister Frankie back but that’s just the beginning of their struggles. She must now become Kite. A stronger, more independent version of herself. A King. A guardian.

'And Kettle has Kite’s heart. She gives it freely. But as he holds it, dear and close like a lost treasure, something holds him back: A feeling that he doesn’t deserve good things. A looming shadow that threatens to separate them. Kettle must accept that he is also Hiro: A Japanese American with every right to happiness and freedom.

'Because Hiro loves Kite. And Kite won’t wait forever for him to tell her.

'But they’re standing on icy ground. As the leverage they had on Kite’s abusive father wavers and life on the street affects Frankie’s health, the challenges threaten to break their bond.

'Snow is gathering at the station doors and doubts are piling high. They must rely on each other. Believe in the magic that got them this far. If they don’t, it’s not just their future in jeopardy but the fates of all the street kids in their care. All the Kings.'

Source: Publisher's blurb.

'Breaker Van Winkle is a recently returned Vietnam vet, struggling with PTSD and the difficulties of readjusting to civilian life with his mother. Eighteen-year-old Sunny is a high-achieving Chinese-French immigrant who fled Vietnam during the war. Sunny is usually as cheerful as her name implies, but she has her struggles too. Haunted by violent memories of the bombing that killed her parents, and chafing under the rule of her eccentric grandmother, she finds solace deep in the Catskills, at a place she calls the Ugly Tree.

'When Breaker stumbles upon Sunny and the Ugly Tree, things start to change. They are drawn to each other, and feel called to the tree. As they spend more time together and their relationship deepens, they notice that their time at the tree is becoming twisted somehow. Sunny's mind yawns and her ambitions begin to slip away. Breaker feels safe and carefree, his memories finally burying themselves in the distant past. They are being lulled toward a tempting, peaceful sleep--but there is a cost to this magical serenity, and it may be more than either of them can bear...'

Source: Publisher's blurb.