Cirrus@Austlit

'Looking at two historical romances by women writers, Kathleen Graves’ Exile: A Tale of Old Tasmania (1945) and Isabel Dick’s Wild Orchard (1946), this article seeks to examine narratives of an early nineteenth-century Van Diemen’s Land that are apparently at odds with the 1940s Tasmania it was to become. Drawing on Giorgio Agamben’s “state of exception” as the theoretical underpinnings for this essay, I read both the nineteenth- and twentieth-century island as a site for the proliferation of bare life whereby the whole of society finds itself defined by its prison-like capacity to strip individuals of their right to life. In telling these stories in which not all lives are equal, it seems that Dick and Graves are attempting to situate their narratives firmly in the past where they cannot contaminate the present, and indeed, future of their island.' (Publication abstract)

'Bridget Grogan’s monograph Reading Corporeality in Patrick White’s Fiction articulates a welcome challenge to a number of the assumptions of White studies. Her compelling primary thesis is that White doesn’t endorse a dualistic paradigm between spiritual transcendence and corporeal abjection, but rather stages it as an immanent critique of rationalist modernity. This argument draws on the concept of what Grogan calls the “somatic spirituality” which critically diverges from the Platonic and Pauline view of the flesh as the prison of the soul. This is salutary in a number of ways; critics have long recognized the importance of physical abjection in White’s novels, but often in unhelpful and contradictory ways.' (Introduction)