Cirrus@Austlit

'KATE, 2019

'Kate flees London – abandoning everything – for Cumbria and Weyward Cottage, inherited from her great-aunt. There, a secret lurks in the bones of the house, hidden ever since the witch-hunts of the 17th century.

'VIOLET, 1942

'Violet is more interested in collecting insects and climbing trees than in becoming a proper young lady. Until a chain of shocking events changes her life forever.

'ALTHA, 1619

'Altha is on trial for witchcraft, accused of killing a local man. Known for her uncanny connection with nature and animals, she is a threat that must be eliminated.

'But Weyward women belong to the wild. And they cannot be tamed…

'Weaving together the stories of three women across five centuries, Weyward is an enthralling novel of female resilience and the transformative power of the natural world.'

Source: Publisher's blurb.

'For readers of Station Eleven and Everything I Never Told You, a debut novel set on the brink of catastrophe, as a young woman chases the world’s last birds – and her own final chance for redemption.

'A dark past. An impossible journey. The will to survive.

'How far you would you go for love? Franny Stone is determined to go to the end of the earth, following the last of the Arctic terns on what may be their final migration to Antarctica.

'As animal populations plummet and commercial fishing faces prohibition, Franny talks her way onto one of the few remaining boats heading south. But as she and the eccentric crew travel further from shore and safety, the dark secrets of Franny’s life begin to unspool. A daughter’s yearning search for her mother. An impulsive, passionate marriage. A shocking crime. Haunted by love and violence, Franny must confront what she is really running towards – and from.

'The Last Migration is a wild, gripping and deeply moving novel from a brilliant young writer. From the west coast of Ireland to Australia and remote Greenland, through crashing Atlantic swells to the bottom of the world, this is an ode to the wild places and creatures now threatened, and an epic story of the possibility of hope against all odds.'

Source: Publisher's blurb

'Domestic abuse is a national emergency: one in four Australian women has experienced violence from a man she was intimate with. But too often we ask the wrong question: why didn’t she leave? We should be asking: why did he do it?

'Investigative journalist Jess Hill puts perpetrators – and the systems that enable them – in the spotlight. See What You Made Me Do is a deep dive into the abuse so many women and children experience – abuse that is often reinforced by the justice system they trust to protect them. Critically, it shows that we can drastically reduce domestic violence – not in generations to come, but today.

'Combining forensic research with riveting storytelling, See What You Made Me Do radically rethinks how to confront the national crisis of fear and abuse in our homes.' (Publication summary)

'Shelley and her mom have been menaced long enough. Excused from high school where a trio of bullies nearly killed her, and still reeling from her parents’ humiliating divorce, Shelley has retreated with her mother to the quiet of Honeysuckle Cottage in the countryside. Thinking their troubles are over, they revel in their cozy, secure life of gardening and books, hot chocolate and Brahms by the fire. But on the eve of Shelley’s sixteenth birthday, an unwelcome guest disturbs their peace and something inside Shelley snaps. What happens next will shatter all their certainties—about their safety, their moral convictions, the limits of what they are willing to accept, and what they’re capable of.'

Source: Publisher's blurb.

'At a suburban barbecue, a man slaps a child who is not his own.

'This event has a shocking ricochet effect on a group of people, mostly friends, who are directly or indirectly influenced by the event.

'In this remarkable novel, Christos Tsiolkas turns his unflinching and all-seeing eye onto that which connects us all: the modern family and domestic life in the twenty-first century. The Slap is told from the points of view of eight people who were present at the barbecue. The slap and its consequences force them all to question their own families and the way they live, their expectations, beliefs and desires.

'What unfolds is a powerful, haunting novel about love, sex and marriage, parenting and children, and the fury and intensity - all the passions and conflicting beliefs - that family can arouse. In its clear-eyed and forensic dissection of the ever-growing middle class and its aspirations and fears, The Slap is also a poignant, provocative novel about the nature of loyalty and happiness, compromise and truth.' (Publisher's blurb)