'Folkloric recording. Keith Bain speaks about his parents; his childhood in Wauchope, N.S.W.; attending primary school; being an enthusiast and disciplinarian; Tonic Solfa method of music teaching; learning piano by nuns at the convent; playing duets with his brother; eldest of three children; being an athlete; attending Kempsey High School; attending Teachers College in Armidale, N.S.W; Dorothy Helmridge; being a good ballroom dancer; dance band the Jesters; learning dancing; 'Polish Australian Dance Company'; Reisa Kuznetsova; travelling to Warsaw; meeting Reisa; Bodenweiser dancers, modern dance; becoming a teacher, wanting to teach out west; being the music specialist to Kogarah Boys' High; organising outside music trips for students; meeting of ex-student; teaching ballroom dancing (1946-1950); completed university course in Arts; being involved in Drama and theatre; dancing ballroom style; Trocadero; Frank Coghlan Orchestra; Big Band period; moving to Temora school; travelling to Sydney every weekend attending matinees and Gallery exhibitions; organising performances locally; choreographed performances; Royal Ballet; being involved in the Metropolitan Theatre; first big show 'The Tempest'; Anita Ardele; joining classes with Madame Bodenweiser.
'Bain speaks about retiring from teaching; teaching at Arthur Murray's Dance School; Bodenweiser; meeting his dance partner Joyce Lofts; exhibition work with another partner Doris Fitton; teaching at The Independent Theatre, remaining for 20 years; Ensemble Theatre; Jane Street Theatre; Margaret Barr and Val Tweedie; Jane St. Theatre; developing techniques to assist actors; Peggy Watson; his work on 'Snowy'; how choreographers work today; Keith and Peggy Watson; Robert Allnutt; Kathryn Durham; visiting dance companies; Ronnie Arnold; Carole Johnson; Joe Jenkins; Kai Tai Chan; Annette; Helen Fong; Jamie Macintyre; Margaret's works; Margaret's great sense of theatre; 'Water Lily' piece; 'short ballets' of Bodenweiser and 'Dance Poems'; choreographic competitions; difficulties for performers; comeback of Ballroom dancing; suffering mini-stroke, limiting his teaching; Bill Gill and the Festival Ballet; Les Peterkin; Marilyn Burr; Nagy; Cissy Burr; Festival Ballet; 'Dreaming'; ageing and memories fading; explains how preservation works.' (Trove)
