Cirrus@Austlit

'Born in Ballarat, Victoria, Hilda Rix Nicholas held her first solo exhibition in Paris in 1912. On sale were drawings made in Morocco earlier that year. The French state bought one of them, Grand Marché, Tanger, for display in the Musée National du Luxembourg. Hilda’s career was launched. She was twenty-eight years old.

'Hilda was making a name as an artist of France when the Great War broke out. She, her sister and her ailing mother fled to London on the last boat out of Boulogne, but sanctuary was fleeting. The war dealt her a series of blows: first her sister died, then her mother, then her beloved war-hero husband. Hilda bore these tragedies with dignity and resolve.

'In the 1920s, dividing her time between Australia and France, she held frequent exhibitions, selling her work to the major galleries of both nations. Working in bold colours and valuing, above all, the foundational skill of good drawing, her best works were grand-scale portraits of common people – French, Australian or Moroccan – all rendered with Hilda’s trademark generosity and honesty.

'One of Australia’s great artists, Hilda’s life and work illustrate a wonderful truth: out of adversity can come great beauty.'

Source : publisher's blurb

'Among all the forms of national memory and commemoration, it falls to the artists to paint a war. When war is as traumatic as the Great War, the artists' burden is so much greater.

'The Australian artists who painted World War I approached their subject personally, in ways that reflected their experience of the war. Grace Cossington Smith painted on the home front. Hilda Rix Nicholas suffered personal loss beyond words. Tom Roberts, George Coates, and Arthur Streeton served as wardsmen in a military hospital in London. George Lambert travelled to Anzac Cove in 1919 to make the definitive record of the war at Gallipoli.