Hayley Elliott-Ryan Hayley Elliott-Ryan i(16850253 works by)
Gender: Female
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1 Braiding the Exegetical Voice through Creative Nonfiction Research Karen Le Rossignol , Hayley Elliott-Ryan , 2024 single work criticism
— Appears in: TEXT Special Issue , no. 72 2024;
'Finding or developing an exegetical voice may be confronting for the nascent writer-
as-researcher: they must transition from undergraduate disciplinary skills and
knowledge acquisition to postgraduate research, and grapple with creative/critical
research thesis requirements. Applying the authors’ experiences supervising creative
writing research candidates through Honours and Masters research projects, and in
teaching the unit Manifestos at Deakin University, this paper will explore ways of
traversing the perceived gap between creative and critical writing to help develop a
creative/critical voice appropriate to the exegesis. To do so, this paper focuses on the
experiential or personal essay form of creative nonfiction to initially identify the
writer’s personal voice through a process of interweaving threads of the
autobiographical, data or the factual, and the universal (Huxley, 1959). A writer’s
manifesto, composed as part of a research program, then enables emerging writer-as-
researchers to consolidate that voice as a bridge to writing their exegesis. Bringing
together these aspects of writerly voice may lead to a complex exegetical pattern as a
response to the tensions between the creative and critical in research: something like
the braid this paper attempts to emulate in its structure. This paper argues that the
exegesis is an experiment in voice balancing fragmentation and cohesion with a
manifesto-style belief in the writing process, and creative responses to theory as
rigorous approaches to research.' 

(Publication abstract)

1 Inhabiting Commercial Fishing Industries Through Poetry Hayley Elliott-Ryan , 2019 single work criticism
— Appears in: Axon : Creative Explorations , May vol. 9 no. 1 2019;

'This is a pilot paper, and the beginning of a much larger exploration of the genre, which seeks to map fisherpoetry in three ways: first, performing a review of the literature on fisher-poets, and then taking up Han’s definition of the ‘hospitable listener’, and Deleuze and Guattari’s notion of a ‘minor literature’, it works towards defining the genre. It then moves on to consider fisherpoetry as a mode of communication, that is a kind of functional tool used by fishermen to establish community via the ship radio. Developing this idea further I assess how women and queer fisherpeople have been able to use poetry to gain representation in an already under-represented culture and lifestyle.' (Publication abstract)

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