Issue Details: First known date: 2019... vol. 33 no. 3 2019 of Continuum : Journal of Media and Cultural Studies est. 1987 Continuum : Journal of Media and Cultural Studies
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Contents

* Contents derived from the , 2019 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Renditions from the inside : Prison Songs, Documusical and Performative Documentary, Lesley Speed , single work criticism

'Produced for SBS Television, Kelrick Martin’s Prison Songs is unusual as a documentary in which the participants convey their stories through songs that were written for the film. Centring on inmates of Darwin Correctional Centre, known as Berrimah Prison, and described in its press kit as ‘Australia’s first ever documentary musical’, Prison Songs involved a collaborative production process in which inmates contributed to writing the musical numbers. As a documusical, the film belongs to a documentary subgenre that originated in the United Kingdom and forms part of a wider landscape of convergence between non-fiction and fictional television. Prison Songs expands Australian documentary, contemporary Indigenous film-making and stories about incarceration. The film’s presentation of participants’ experiences through music, story, dance and humour can be situated within the performative documentary mode, in which orthodox screen discourses of sobriety are supplanted by poetic expression. Its use of songs and musical performance as partial alternatives to interviews and narration traverses boundaries between avant-garde and television forms, expression and information, and prison and the wider society.'   (Publication summary)

(p. 324-336)
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