Tess Scholfield-Peters Tess Scholfield-Peters i(16502243 works by)
Gender: Female
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Works By

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1 Lily Brett’s Trip to Poland with Her Holocaust Survivor Father Inspired Her Novel, Too Many Men. 25 Years Later, It’s a Film: Treasure Tess Scholfield-Peters , 2024 single work column
— Appears in: The Conversation , 18 June 2024;
1 2 y separately published work icon Dear Mutzi : A Story of Love, Escape and Finding the Forgotten Tess Scholfield-Peters , Canberra : National Library of Australia , 2024 27819311 2024 single work biography

'Harry Peters ― formally Hermann Ludwig Pollnow, known to his family as Mutzi ― was born in Berlin in 1920. As a teenager, he fled Nazi Germany and landed in rural Australia. Harry’s parents, Max and Edith, stayed and perished in Nazi camps.

'This story, of forced migration, assimilation, loss, resilience and determination despite the odds, is one that has been lived countless times throughout history and continues to be a common human experience. Harry’s particular experience also tells the history of refugee farmers in rural Australia and migrant labour companies during WWII.

'Scholfield-Peters tells her grandfather’s story with three intertwining threads: a sketched-out history based on Harry’s testimony and documentary history; her engagement with this personal history from a third-generation perspective; and the present story of Harry’s growing infirmities and eventual death in early 2021 at age 100.

'Through the hybrid narrative non-fiction form, Scholfield-Peters investigates her family history and seeks to share an ethical historical account of Harry’s life. This work necessarily skirts the edges of fiction and non-fiction, as Scholfield-Peters weaves her deep research with Harry’s recollections and imagines the unknown details.' (Publication summary)

1 Writing Trauma in Cynthia Banham’s A Certain Light Tess Scholfield-Peters , 2019 single work column
— Appears in: The Conversation , 12 May 2019;

'Former Fairfax journalist and lawyer Cynthia Banham voices the silenced pain of generations in A Certain Light, her evocative, hybrid work of docu-memoir.'  (Introduction)

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