'A line from 1855, first published by Walt Whitman in the poem ‘Song of Myself’, appears again at the beginning of a film produced during a Creative Arts Fellowship at the Australian National University in 1969. Out of the 19th century transcendentalism of New England, the film’s subject emerges as ‘Anarcho-Technocracy’, specifically as it was theorised and transmitted by expatriate poet Harry Hooton (1908-1961). Hooton had died in middle age in Sydney, celebrated as the ‘poet of the 21st century’ by his friends and devotees. In this way, the trans-mediation of his poetry and philosophy onto film seemed strangely appropriate for his ambitious idealism: Leave man alone, man is perfect. Concentrate instead on matter.' (Introduction)
